Chapter 4 - Page 2
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But while I was fearless of theology I must confess it was comparatively late before I faced and dared to probe the secrecies of sex. I was afraid of sex. I had an instinctive perception that it would be a large and difficult thing in my life, but my early training was all in the direction of regarding it as an irrelevant thing, as something disconnected from all the broad significances of life, as hostile and disgraceful in its quality. The world was never so emasculated in thought, I suppose, as it was in the Victorian time. . . .
I was afraid to think either of sex or (what I have always found inseparable from a kind of sexual emotion) beauty. Even as a boy I knew the thing as a haunting and alluring mystery that I tried to keep away from. Its dim presence obsessed me none the less for all the extravagant decency, the stimulating silences of my upbringing. . . .
The plaster Venuses and Apollos that used to adorn the vast aisle and huge grey terraces of the Crystal Palace were the first intimations of the beauty of the body that ever came into my life. As I write of it I feel again the shameful attraction of those gracious forms. I used to look at them not simply, but curiously and askance. Once at least in my later days at Penge, I spent a shilling in admission chiefly for the sake of them. . . .
The strangest thing of all my odd and solitary upbringing seems to me now that swathing up of all the splendours of the flesh, that strange combination of fanatical terrorism and shyness that fenced me about with prohibitions. It caused me to grow up, I will not say blankly ignorant, but with an ignorance blurred and dishonoured by shame, by enigmatical warnings, by cultivated aversions, an ignorance in which a fascinated curiosity and desire struggled like a thing in a net. I knew so little and I felt so much. There was indeed no Aphrodite at all in my youthful Pantheon, but instead there was a mysterious and minatory gap. I have told how at last a new Venus was born in my imagination out of gas lamps and the twilight, a Venus with a cockney accent and dark eyes shining out of the dusk, a Venus who was a warm, passion-stirring atmosphere rather than incarnate in a body. And I have told, too, how I bought a picture.
All this was a thing apart from the rest of my life, a locked avoided chamber. . . .
It was not until my last year at Trinity that I really broke down the barriers of this unwholesome silence and brought my secret broodings to the light of day. Then a little set of us plunged suddenly into what we called at first
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