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    Chapter 9 - Page 2

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    pettinesses which gave the cynical observer scope and told of a narrower, baser aspect of the fair but limited ambitions of my ostensible self. This "sub- careerist" element noted little things that affected the career, made me suspicious of the rivalry of so-and-so, propitiatory to so- and-so, whom, as a matter of fact, I didn't respect or feel in the least sympathetic towards; guarded with that man, who for all his charm and interest wasn't helpful, and a little touchy at the appearance of neglect from that. No, I mean something greater and not something smaller when I write of a hidden life.

    In the ostensible self who glowed under the approbation of Altiora Bailey, and was envied and discussed, praised and depreciated, in the House and in smoking-room gossip, you really have as much of a man as usually figures in a novel or an obituary notice. But I am tremendously impressed now in the retrospect by the realisation of how little that frontage represented me, and just how little such frontages do represent the complexities of the intelligent contemporary. Behind it, yet struggling to disorganise and alter it, altogether, was a far more essential reality, a self less personal, less individualised, and broader in its references. Its aims were never simply to get on; it had an altogether different system of demands and satisfactions. It was critical, curious, more than a little unfeeling--and relentlessly illuminating.

    It is just the existence and development of this more generalised self-behind-the-frontage that is making modern life so much more subtle and intricate to render, and so much more hopeful in its relations to the perplexities of the universe. I see this mental and spiritual hinterland vary enormously in the people about me, from a type which seems to keep, as people say, all its goods in the window, to others who, like myself, come to regard the ostensible existence more and more as a mere experimental feeder and agent for that greater personality behind. And this back-self has its history of phases, its crises and happy accidents and irrevocable conclusions, more or less distinct from the adventures and achievements of the ostensible self. It meets persons and phrases, it assimilates the spirit of a book, it is startled into new realisations by some accident that seems altogether irrelevant to the general tenor of one's life. Its increasing independence of the ostensible career makes it the organ of corrective criticism; it accumulates disturbing energy. Then it breaks our overt promises and repudiates our pledges, coming down at last like an overbearing mentor upon the small engagements of the pupil.

    In the life of the individual it takes the role that the growth of philosophy, science, and creative literature may play in the development of mankind.

    2

    It is curious to recall how Britten helped shatter that obvious, lucidly explicable presentation of myself upon which I had
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