Chapter 5 - Page 2

novel but now amazingly familiar in the world, the blue paper with the coruscating figure of a genially nude giant, and the printed directions of how under practically all circumstances to take Tono-Bungay. Beyond the counter on one side opened a staircase down which I seem to remember a girl descending with a further consignment of bottles, and the rest of the background was a high partition, also chocolate, with "Temporary Laboratory" inscribed upon it in white letters, and over a door that pierced it, "Office." Here I rapped, inaudible amid much hammering, and then entered unanswered to find my uncle, dressed as I have described, one hand gripping a sheath of letters, and the other scratching his head as he dictated to one of three toiling typewriter girls. Behind him was a further partition and a door inscribed "ABSOLUTELY PRIVATE--NO ADMISSION," thereon. This partition was of wood painted the universal chocolate, up to about eight feet from the ground, and then of glass. Through the glass I saw dimly a crowded suggestion of crucibles and glass retorts, and--by Jove!--yes!--the dear old Wimblehurst air-pump still! It gave me quite a little thrill--that air-pump! And beside it was the electrical machine--but something--some serious trouble--had happened to that. All these were evidently placed on a shelf just at the level to show.

"Come right into the sanctum," said my uncle, after he had finished something about "esteemed consideration," and whisked me through the door into a room that quite amazingly failed to verify the promise of that apparatus. It was papered with dingy wall-paper that had peeled in places; it contained a fireplace, an easy-chair with a cushion, a table on which stood two or three big bottles, a number of cigar-boxes on the mantel, whisky Tantalus and a row of soda syphons. He shut the door after me carefully.

"Well, here we are!" he said. "Going strong! Have a whisky, George? No!--Wise man! Neither will I! You see me at it! At it--hard!"

"Hard at what?"

"Read it," and he thrust into my hand a label--that label that has now become one of the most familiar objects of the chemist's shop, the greenish-blue rather old-fashioned bordering, the legend, the name in good black type, very clear, and the strong man all set about with lightning flashes above the double column of skilful lies in red--the label of Tono-Bungay. "It's afloat," he said, as I stood puzzling at this. "It's afloat. I'm afloat!" And suddenly he burst out singing in that throaty tenor of his--

"I'm afloat, I'm afloat on the fierce flowing tide, The ocean's my home and my bark is my bride!

"Ripping song that is, George. Not so much a bark as a solution, but still--it does! Here we are at it! By-the-by! Half a mo'! I've thought of a thing." He whisked out, leaving me to examine this nuclear spot at leisure while his voice became dictatorial without. The den struck me as in its large grey dirty