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    Chapter 8 - Page 2

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    Of course no good could come of this; and when, a
    few years later, poor Chivers finally died in a mad-
    house, his widow (draped in strange weeds) again pulled
    up stakes and departed with Ellen, who had grown into
    a tall bony girl with conspicuous eyes. For some time
    no more was heard of them; then news came of Ellen's
    marriage to an immensely rich Polish nobleman of
    legendary fame, whom she had met at a ball at the
    Tuileries, and who was said to have princely establishments
    in Paris, Nice and Florence, a yacht at Cowes,
    and many square miles of shooting in Transylvania.
    She disappeared in a kind of sulphurous apotheosis,
    and when a few years later Medora again came back to
    New York, subdued, impoverished, mourning a third
    husband, and in quest of a still smaller house, people
    wondered that her rich niece had not been able to do
    something for her. Then came the news that Ellen's
    own marriage had ended in disaster, and that she was
    herself returning home to seek rest and oblivion among
    her kinsfolk.

    These things passed through Newland Archer's mind
    a week later as he watched the Countess Olenska enter
    the van der Luyden drawing-room on the evening of
    the momentous dinner. The occasion was a solemn
    one, and he wondered a little nervously how she would
    carry it off. She came rather late, one hand still ungloved,
    and fastening a bracelet about her wrist; yet she entered
    without any appearance of haste or embarrassment
    the drawing-room in which New York's most
    chosen company was somewhat awfully assembled.

    In the middle of the room she paused, looking about
    her with a grave mouth and smiling eyes; and in that
    instant Newland Archer rejected the general verdict on
    her looks. It was true that her early radiance was gone.
    The red cheeks had paled; she was thin, worn, a little
    older-looking than her age, which must have been nearly
    thirty. But there was about her the mysterious authority
    of beauty, a sureness in the carriage of the head, the
    movement of the eyes, which, without being in the least
    theatrical, struck his as highly trained and full of a
    conscious power. At the same time she was simpler in
    manner than most of the ladies present, and many
    people (as he heard afterward from Janey) were disappointed
    that her appearance was not more "stylish"

    --for stylishness was what New York most valued. It
    was, perhaps, Archer reflected, because her early vivacity
    had disappeared; because she was so quiet--quiet in
    her movements, her voice, and the tones of her low-
    pitched voice. New York had expected something a
    good deal more reasonant in a young woman with such
    a history.

    The dinner was a somewhat formidable business.
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