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    Chapter 18

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    Chapter 18
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    What are you two plotting together, aunt Medora?"
    Madame Olenska cried as she came into the room.

    She was dressed as if for a ball. Everything about her
    shimmered and glimmered softly, as if her dress had
    been woven out of candle-beams; and she carried her
    head high, like a pretty woman challenging a roomful
    of rivals.

    "We were saying, my dear, that here was something
    beautiful to surprise you with," Mrs. Manson rejoined,
    rising to her feet and pointing archly to the flowers.

    Madame Olenska stopped short and looked at the
    bouquet. Her colour did not change, but a sort of
    white radiance of anger ran over her like summer lightning.
    "Ah," she exclaimed, in a shrill voice that the
    young man had never heard, "who is ridiculous enough
    to send me a bouquet? Why a bouquet? And why
    tonight of all nights? I am not going to a ball; I am not
    a girl engaged to be married. But some people are
    always ridiculous."

    She turned back to the door, opened it, and called
    out: "Nastasia!"

    The ubiquitous handmaiden promptly appeared, and
    Archer heard Madame Olenska say, in an Italian that
    she seemed to pronounce with intentional deliberateness
    in order that he might follow it: "Here--throw
    this into the dustbin!" and then, as Nastasia stared
    protestingly: "But no--it's not the fault of the poor
    flowers. Tell the boy to carry them to the house three
    doors away, the house of Mr. Winsett, the dark gentleman
    who dined here. His wife is ill--they may give her
    pleasure . . . The boy is out, you say? Then, my dear
    one, run yourself; here, put my cloak over you and fly.
    I want the thing out of the house immediately! And, as
    you live, don't say they come from me!"

    She flung her velvet opera cloak over the maid's
    shoulders and turned back into the drawing-room, shutting
    the door sharply. Her bosom was rising high under
    its lace, and for a moment Archer thought she was
    about to cry; but she burst into a laugh instead, and
    looking from the Marchioness to Archer, asked abruptly:
    "And you two--have you made friends!"

    "It's for Mr. Archer to say, darling; he has waited
    patiently while you were dressing."

    "Yes--I gave you time enough: my hair wouldn't
    go," Madame Olenska said, raising her hand to the
    heaped-up curls of her chignon. "But that reminds me:
    I see Dr. Carver is gone, and you'll be late at the
    Blenkers'. Mr. Archer, will you put my aunt in the

    She followed the Marchioness into the hall, saw her
    fitted into a miscellaneous heap of overshoes, shawls
    and tippets, and called from the doorstep: "Mind, the
    carriage is to be back for me at ten!" Then she returned
    to the drawing-room, where Archer, on re-entering it,
    found her standing by the mantelpiece, examining herself
    in the mirror. It was not usual, in New York
    society, for a lady to address her parlour-maid as "my
    dear one," and send her out on an errand wrapped in
    her own opera-cloak; and Archer, through all his deeper
    feelings, tasted the pleasurable excitement of being in a
    world where action followed on emotion with such
    Olympian speed.

    Madame Olenska did not move when he came up
    behind her, and for a second their eyes met in the
    mirror; then she turned, threw herself into her sofa-
    corner, and sighed out: "There's time for a cigarette."

    He handed her the box and lit a spill for her; and as
    the flame flashed up into her face she glanced at him
    with laughing eyes and said: "What do you think of me
    in a temper?"

    Archer paused a moment; then he answered with
    sudden resolution: "It makes me understand what your
    aunt has been saying about you."

    "I knew she'd been talking about me. Well?"

    "She said you were used to all kinds of things--
    splendours and amusements and excitements--that we
    could never hope to give you here."

    Madame Olenska smiled faintly into the circle of
    smoke about her lips.

    "Medora is incorrigibly romantic. It has made up to
    her for so many things!"

    Archer hesitated again, and again took his risk. "Is your
    aunt's romanticism always consistent with accuracy?"

    "You mean: does she speak the truth?" Her niece
    considered. "Well, I'll tell you: in almost everything she
    says, there's something true and something untrue. But
    why do you ask? What has she been telling you?"

    He looked away into the fire, and then back at her
    shining presence. His heart tightened with the thought
    that this was their last evening by that fireside, and that
    in a moment the carriage would come to carry her away.

    "She says--she pretends that Count Olenski has asked
    her to persuade you to go back to him."

    Madame Olenska made no answer. She sat motionless,
    holding her cigarette in her half-lifted hand. The
    expression of her face had not changed; and Archer
    remembered that he had before noticed her apparent
    incapacity for surprise.

    "You knew, then?" he broke out.

    She was silent for so long that the ash dropped from
    her cigarette. She brushed it to the floor. "She has
    hinted about a letter: poor darling! Medora's hints--"

    "Is it at your husband's request that she has arrived
    here suddenly?"

    Madame Olenska seemed to consider this question
    also. "There again: one can't tell. She told me she had
    had a 'spiritual summons,' whatever that is, from Dr.
    Carver. I'm afraid she's going to marry Dr. Carver . . .
    poor Medora, there's always some one she wants to
    marry. But perhaps the people in Cuba just got tired of
    her! I think she was with them as a sort of paid
    companion. Really, I don't know why she came."

    "But you do believe she has a letter from your

    Again Madame Olenska brooded silently; then she
    said: "After all, it was to be expected."

    The young man rose and went to lean against the
    fireplace. A sudden restlessness possessed him, and he
    was tongue-tied by the sense that their minutes were
    numbered, and that at any moment he might hear the
    wheels of the returning carriage.

    "You know that your aunt believes you will go back?"

    Madame Olenska raised her head quickly. A deep
    blush rose to her face and spread over her neck and
    shoulders. She blushed seldom and painfully, as if it
    hurt her like a burn.

    "Many cruel things have been believed of me," she

    "Oh, Ellen--forgive me; I'm a fool and a brute!"

    She smiled a little. "You are horribly nervous; you
    have your own troubles. I know you think the Wellands
    are unreasonable about your marriage, and of
    course I agree with you. In Europe people don't understand
    our long American engagements; I suppose they
    are not as calm as we are." She pronounced the "we"
    with a faint emphasis that gave it an ironic sound.

    Archer felt the irony but did not dare to take it up.
    After all, she had perhaps purposely deflected the
    conversation from her own affairs, and after the pain his
    last words had evidently caused her he felt that all he
    could do was to follow her lead. But the sense of the
    waning hour made him desperate: he could not bear
    the thought that a barrier of words should drop
    between them again.

    "Yes," he said abruptly; "I went south to ask May
    to marry me after Easter. There's no reason why we
    shouldn't be married then."

    "And May adores you--and yet you couldn't convince
    her? I thought her too intelligent to be the slave
    of such absurd superstitions."

    "She IS too intelligent--she's not their slave."

    Madame Olenska looked at him. "Well, then--I don't

    Archer reddened, and hurried on with a rush. "We
    had a frank talk--almost the first. She thinks my
    impatience a bad sign."

    "Merciful heavens--a bad sign?"

    "She thinks it means that I can't trust myself to go
    on caring for her. She thinks, in short, I want to marry
    her at once to get away from some one that I--care for

    Madame Olenska examined this curiously. "But if
    she thinks that--why isn't she in a hurry too?"

    "Because she's not like that: she's so much nobler.
    She insists all the more on the long engagement, to give
    me time--"

    "Time to give her up for the other woman?"

    "If I want to."

    Madame Olenska leaned toward the fire and gazed
    into it with fixed eyes. Down the quiet street Archer
    heard the approaching trot of her horses.

    "That IS noble," she said, with a slight break in her

    "Yes. But it's ridiculous."

    "Ridiculous? Because you don't care for any one

    "Because I don't mean to marry any one else."

    "Ah." There was another long interval. At length she
    looked up at him and asked: "This other woman--
    does she love you?"

    "Oh, there's no other woman; I mean, the person
    that May was thinking of is--was never--"

    "Then, why, after all, are you in such haste?"

    "There's your carriage," said Archer.

    She half-rose and looked about her with absent eyes.
    Her fan and gloves lay on the sofa beside her and she
    picked them up mechanically.

    "Yes; I suppose I must be going."

    "You're going to Mrs. Struthers's?"

    "Yes." She smiled and added: "I must go where I am
    invited, or I should be too lonely. Why not come with

    Archer felt that at any cost he must keep her beside
    him, must make her give him the rest of her evening.
    Ignoring her question, he continued to lean against the
    chimney-piece, his eyes fixed on the hand in which she
    held her gloves and fan, as if watching to see if he had
    the power to make her drop them.

    "May guessed the truth," he said. "There is another
    woman--but not the one she thinks."

    Ellen Olenska made no answer, and did not move.
    After a moment he sat down beside her, and, taking
    her hand, softly unclasped it, so that the gloves and fan
    fell on the sofa between them.

    She started up, and freeing herself from him moved
    away to the other side of the hearth. "Ah, don't make
    love to me! Too many people have done that," she
    said, frowning.

    Archer, changing colour, stood up also: it was the
    bitterest rebuke she could have given him. "I have
    never made love to you," he said, "and I never shall.
    But you are the woman I would have married if it had
    been possible for either of us."

    "Possible for either of us?" She looked at him with
    unfeigned astonishment. "And you say that--when it's
    you who've made it impossible?"

    He stared at her, groping in a blackness through
    which a single arrow of light tore its blinding way.

    "I'VE made it impossible--?"

    "You, you, YOU!" she cried, her lip trembling like a
    child's on the verge of tears. "Isn't it you who made me
    give up divorcing--give it up because you showed me
    how selfish and wicked it was, how one must sacrifice
    one's self to preserve the dignity of marriage . . . and to
    spare one's family the publicity, the scandal? And
    because my family was going to be your family--for
    May's sake and for yours--I did what you told me,
    what you proved to me that I ought to do. Ah," she
    broke out with a sudden laugh, "I've made no secret of
    having done it for you!"

    She sank down on the sofa again, crouching among
    the festive ripples of her dress like a stricken masquerader;
    and the young man stood by the fireplace and
    continued to gaze at her without moving.

    "Good God," he groaned. "When I thought--"

    "You thought?"

    "Ah, don't ask me what I thought!"

    Still looking at her, he saw the same burning flush
    creep up her neck to her face. She sat upright, facing
    him with a rigid dignity.

    "I do ask you."

    "Well, then: there were things in that letter you
    asked me to read--"

    "My husband's letter?"


    "I had nothing to fear from that letter: absolutely
    nothing! All I feared was to bring notoriety, scandal,
    on the family--on you and May."

    "Good God," he groaned again, bowing his face in
    his hands.

    The silence that followed lay on them with the weight
    of things final and irrevocable. It seemed to Archer to
    be crushing him down like his own grave-stone; in all
    the wide future he saw nothing that would ever lift that
    load from his heart. He did not move from his place, or
    raise his head from his hands; his hidden eyeballs went
    on staring into utter darkness.

    "At least I loved you--" he brought out.

    On the other side of the hearth, from the sofa-corner
    where he supposed that she still crouched, he heard a
    faint stifled crying like a child's. He started up and
    came to her side.

    "Ellen! What madness! Why are you crying? Nothing's
    done that can't be undone. I'm still free, and
    you're going to be." He had her in his arms, her face
    like a wet flower at his lips, and all their vain terrors
    shrivelling up like ghosts at sunrise. The one thing that
    astonished him now was that he should have stood for
    five minutes arguing with her across the width of the
    room, when just touching her made everything so simple.

    She gave him back all his kiss, but after a moment he
    felt her stiffening in his arms, and she put him aside
    and stood up.

    "Ah, my poor Newland--I suppose this had to be.
    But it doesn't in the least alter things," she said, looking
    down at him in her turn from the hearth.

    "It alters the whole of life for me."

    "No, no--it mustn't, it can't. You're engaged to
    May Welland; and I'm married."

    He stood up too, flushed and resolute. "Nonsense!
    It's too late for that sort of thing. We've no right to lie
    to other people or to ourselves. We won't talk of your
    marriage; but do you see me marrying May after this?"

    She stood silent, resting her thin elbows on the mantelpiece,
    her profile reflected in the glass behind her. One
    of the locks of her chignon had become loosened and
    hung on her neck; she looked haggard and almost old.

    "I don't see you," she said at length, "putting that
    question to May. Do you?"

    He gave a reckless shrug. "It's too late to do
    anything else."

    "You say that because it's the easiest thing to say at
    this moment--not because it's true. In reality it's too
    late to do anything but what we'd both decided on."

    "Ah, I don't understand you!"

    She forced a pitiful smile that pinched her face
    instead of smoothing it. "You don't understand because
    you haven't yet guessed how you've changed things for
    me: oh, from the first--long before I knew all you'd

    "All I'd done?"

    "Yes. I was perfectly unconscious at first that people
    here were shy of me--that they thought I was a dreadful
    sort of person. It seems they had even refused to
    meet me at dinner. I found that out afterward; and
    how you'd made your mother go with you to the van
    der Luydens'; and how you'd insisted on announcing
    your engagement at the Beaufort ball, so that I might
    have two families to stand by me instead of one--"

    At that he broke into a laugh.

    "Just imagine," she said, "how stupid and unobservant
    I was! I knew nothing of all this till Granny
    blurted it out one day. New York simply meant peace
    and freedom to me: it was coming home. And I was so
    happy at being among my own people that every one I
    met seemed kind and good, and glad to see me. But
    from the very beginning," she continued, "I felt there
    was no one as kind as you; no one who gave me
    reasons that I understood for doing what at first seemed
    so hard and--unnecessary. The very good people didn't
    convince me; I felt they'd never been tempted. But you
    knew; you understood; you had felt the world outside
    tugging at one with all its golden hands--and yet you
    hated the things it asks of one; you hated happiness
    bought by disloyalty and cruelty and indifference. That
    was what I'd never known before--and it's better than
    anything I've known."

    She spoke in a low even voice, without tears or
    visible agitation; and each word, as it dropped from
    her, fell into his breast like burning lead. He sat bowed
    over, his head between his hands, staring at the hearthrug,
    and at the tip of the satin shoe that showed under
    her dress. Suddenly he knelt down and kissed the shoe.

    She bent over him, laying her hands on his shoulders,
    and looking at him with eyes so deep that he remained
    motionless under her gaze.

    "Ah, don't let us undo what you've done!" she cried.
    "I can't go back now to that other way of thinking. I
    can't love you unless I give you up."

    His arms were yearning up to her; but she drew
    away, and they remained facing each other, divided by
    the distance that her words had created. Then, abruptly,
    his anger overflowed.

    "And Beaufort? Is he to replace me?"

    As the words sprang out he was prepared for an
    answering flare of anger; and he would have welcomed
    it as fuel for his own. But Madame Olenska only grew
    a shade paler, and stood with her arms hanging down
    before her, and her head slightly bent, as her way was
    when she pondered a question.

    "He's waiting for you now at Mrs. Struthers's; why
    don't you go to him?" Archer sneered.

    She turned to ring the bell. "I shall not go out this
    evening; tell the carriage to go and fetch the Signora
    Marchesa," she said when the maid came.

    After the door had closed again Archer continued to
    look at her with bitter eyes. "Why this sacrifice? Since
    you tell me that you're lonely I've no right to keep you
    from your friends."

    She smiled a little under her wet lashes. "I shan't be
    lonely now. I WAS lonely; I WAS afraid. But the emptiness
    and the darkness are gone; when I turn back into
    myself now I'm like a child going at night into a room
    where there's always a light."

    Her tone and her look still enveloped her in a soft
    inaccessibility, and Archer groaned out again: "I don't
    understand you!"

    "Yet you understand May!"

    He reddened under the retort, but kept his eyes on
    her. "May is ready to give me up."

    "What! Three days after you've entreated her on
    your knees to hasten your marriage?"

    "She's refused; that gives me the right--"

    "Ah, you've taught me what an ugly word that is,"
    she said.

    He turned away with a sense of utter weariness. He
    felt as though he had been struggling for hours up the
    face of a steep precipice, and now, just as he had
    fought his way to the top, his hold had given way and
    he was pitching down headlong into darkness.

    If he could have got her in his arms again he might
    have swept away her arguments; but she still held him
    at a distance by something inscrutably aloof in her look
    and attitude, and by his own awed sense of her sincerity.
    At length he began to plead again.

    "If we do this now it will be worse afterward--worse
    for every one--"

    "No--no--no!" she almost screamed, as if he frightened her.

    At that moment the bell sent a long tinkle through
    the house. They had heard no carriage stopping at the
    door, and they stood motionless, looking at each other
    with startled eyes.

    Outside, Nastasia's step crossed the hall, the outer
    door opened, and a moment later she came in carrying
    a telegram which she handed to the Countess Olenska.

    "The lady was very happy at the flowers," Nastasia
    said, smoothing her apron. "She thought it was her
    signor marito who had sent them, and she cried a little
    and said it was a folly."

    Her mistress smiled and took the yellow envelope.
    She tore it open and carried it to the lamp; then, when
    the door had closed again, she handed the telegram to

    It was dated from St. Augustine, and addressed to
    the Countess Olenska. In it he read: "Granny's telegram
    successful. Papa and Mamma agree marriage after
    Easter. Am telegraphing Newland. Am too happy
    for words and love you dearly. Your grateful May."

    Half an hour later, when Archer unlocked his own
    front-door, he found a similar envelope on the hall-table
    on top of his pile of notes and letters. The message
    inside the envelope was also from May Welland, and
    ran as follows: "Parents consent wedding Tuesday after
    Easter at twelve Grace Church eight bridesmaids
    please see Rector so happy love May."

    Archer crumpled up the yellow sheet as if the gesture
    could annihilate the news it contained. Then he pulled
    out a small pocket-diary and turned over the pages
    with trembling fingers; but he did not find what he
    wanted, and cramming the telegram into his pocket he
    mounted the stairs.

    A light was shining through the door of the little
    hall-room which served Janey as a dressing-room and
    boudoir, and her brother rapped impatiently on the
    panel. The door opened, and his sister stood before
    him in her immemorial purple flannel dressing-gown,
    with her hair "on pins." Her face looked pale and

    "Newland! I hope there's no bad news in that
    telegram? I waited on purpose, in case--" (No item of his
    correspondence was safe from Janey.)

    He took no notice of her question. "Look here--
    what day is Easter this year?"

    She looked shocked at such unchristian ignorance.
    "Easter? Newland! Why, of course, the first week in
    April. Why?"

    "The first week?" He turned again to the pages of
    his diary, calculating rapidly under his breath. "The
    first week, did you say?" He threw back his head with
    a long laugh.

    "For mercy's sake what's the matter?"

    "Nothing's the matter, except that I'm going to be
    married in a month."

    Janey fell upon his neck and pressed him to her
    purple flannel breast. "Oh Newland, how wonderful!
    I'm so glad! But, dearest, why do you keep on laughing?
    Do hush, or you'll wake Mamma."
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    Chapter 18
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