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    Chapter 34

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    XXXIV.

    Newland Archer sat at the writing-table in his library
    in East Thirty-ninth Street.

    He had just got back from a big official reception for
    the inauguration of the new galleries at the Metropolitan
    Museum, and the spectacle of those great spaces
    crowded with the spoils of the ages, where the throng
    of fashion circulated through a series of scientifically
    catalogued treasures, had suddenly pressed on a rusted
    spring of memory.

    "Why, this used to be one of the old Cesnola rooms,"
    he heard some one say; and instantly everything about
    him vanished, and he was sitting alone on a hard
    leather divan against a radiator, while a slight figure in
    a long sealskin cloak moved away down the meagrely-
    fitted vista of the old Museum.

    The vision had roused a host of other associations,
    and he sat looking with new eyes at the library which,
    for over thirty years, had been the scene of his solitary
    musings and of all the family confabulations.

    It was the room in which most of the real things of
    his life had happened. There his wife, nearly twenty-six
    years ago, had broken to him, with a blushing
    circumlocution that would have caused the young women of
    the new generation to smile, the news that she was to
    have a child; and there their eldest boy, Dallas, too
    delicate to be taken to church in midwinter, had been
    christened by their old friend the Bishop of New York,
    the ample magnificent irreplaceable Bishop, so long the
    pride and ornament of his diocese. There Dallas had
    first staggered across the floor shouting "Dad," while
    May and the nurse laughed behind the door; there their
    second child, Mary (who was so like her mother), had
    announced her engagement to the dullest and most
    reliable of Reggie Chivers's many sons; and there Archer
    had kissed her through her wedding veil before they
    went down to the motor which was to carry them to
    Grace Church--for in a world where all else had reeled
    on its foundations the "Grace Church wedding"
    remained an unchanged institution.

    It was in the library that he and May had always
    discussed the future of the children: the studies of
    Dallas and his young brother Bill, Mary's incurable

    indifference to "accomplishments," and passion for
    sport and philanthropy, and the vague leanings toward
    "art" which had finally landed the restless and curious
    Dallas in the office of a rising New York architect.

    The young men nowadays were emancipating
    themselves from the law and business and taking up all sorts
    of new things. If they were not absorbed in state politics
    or municipal reform, the chances were that they
    were going in for Central American archaeology, for
    architecture or
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