Chapter 19 - Page 2

to admit him to a large lamp-lit room which he immediately perceived to be empty; and the fact gave him time to note, even through his disturbance of mind, the interesting degree to which Madame de Chantelle's apartment "dated" and completed her. Its looped and corded curtains, its purple satin upholstery, the Sevres jardinieres, the rosewood fire-screen, the little velvet tables edged with lace and crowded with silver knick-knacks and simpering miniatures, reconstituted an almost perfect setting for the blonde beauty of the 'sixties. Darrow wondered that Fraser Leath's filial respect should have prevailed over his aesthetic scruples to the extent of permitting such an anachronism among the eighteenth century graces of Givre; but a moment's reflection made it clear that, to its late owner, the attitude would have seemed exactly in the traditions of the place.

Madame de Chantelle's emergence from an inner room snatched Darrow from these irrelevant musings. She was already beaded and bugled for the evening, and, save for a slight pinkness of the eye-lids, her elaborate appearance revealed no mark of agitation; but Darrow noticed that, in recognition of the solemnity of the occasion, she pinched a lace handkerchief between her thumb and forefinger.

She plunged at once into the centre of the difficulty, appealing to him, in the name of all the Everards, to descend there with her to the rescue of her darling. She wasn't, she was sure, addressing herself in vain to one whose person, whose "tone," whose traditions so brilliantly declared his indebtedness to the principles she besought him to defend. Her own reception of Darrow, the confidence she had at once accorded him, must have shown him that she had instinctively felt their unanimity of sentiment on these fundamental questions. She had in fact recognized in him the one person whom, without pain to her maternal piety, she could welcome as her son's successor; and it was almost as to Owen's father that she now appealed to Darrow to aid in rescuing the wretched boy.

"Don't think, please, that I'm casting the least reflection on Anna, or showing any want of sympathy for her, when I say that I consider her partly responsible for what's happened. Anna is 'modern'--I believe that's what it's called when you read unsettling books and admire hideous pictures. Indeed," Madame de Chantelle continued, leaning confidentially forward, "I myself have always more or less lived in that atmosphere: my son, you know, was very revolutionary. Only he didn't, of course, apply his ideas: they were purely intellectual. That's what dear Anna has always failed to understand. And I'm afraid she's created the same kind of confusion in Owen's mind--led him to mix up things you read about with things you do...You know, of course, that she sides with him in this wretched business?"

Developing at length upon this theme, she finally narrowed down to the point of Darrow's intervention.