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"Do not be too moral. You may cheat yourself out of much life. Aim above morality. Be not simply good; be good for something."
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Chapter 20 - Page 2
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The child, Sophy told him, was doing well; but Mrs. Leath had decided to wait till the surgeon came. Darrow, as they turned away, looked through the gates, and saw the doctor's old-fashioned carriage by the roadside.
"Let me tell the doctor's boy to drive you back," he suggested; but Sophy answered: "No; I'll walk," and he moved on toward the house at her side. She expressed no surprise at his not remaining at the lodge, and again they walked on in silence through the rain. She had accepted the shelter of his umbrella, but she kept herself at such a carefully measured distance that even the slight swaying movements produced by their quick pace did not once bring her arm in touch with his; and, noticing this, he perceived that every drop of her blood must be alive to his nearness.
"What I meant just now," he began, "was that you ought to have been sure of my good wishes."
She seemed to weigh the words. "Sure enough for what?"
"To trust me a little farther than you did."
"I've told you that yesterday I wasn't free to speak."
"Well, since you are now, may I say a word to you?"
She paused perceptibly, and when she spoke it was in so low a tone that he had to bend his head to catch her answer. "I can't think what you can have to say."
"It's not easy to say here, at any rate. And indoors I sha'n't know where to say it." He glanced about him in the rain. "Let's walk over to the spring-house for a minute."
To the right of the drive, under a clump of trees, a little stucco pavilion crowned by a balustrade rose on arches of mouldering brick over a flight of steps that led down to a spring. Other steps curved up to a door above. Darrow mounted these, and opening the door entered a small circular room hung with loosened strips of painted paper whereon spectrally faded Mandarins executed elongated gestures. Some black and gold chairs with straw seats and an unsteady table of cracked lacquer stood on the floor of red-glazed tile.
Sophy had followed him without comment. He closed the door after her, and she stood motionless, as though waiting for him to speak.
"Now we can talk quietly," he said, looking at her with a smile into which he tried to put an intention of the frankest friendliness.
She merely repeated: "I can't think what you can have to say."
Her voice had lost the note of half-wistful confidence on which their talk of the previous day had closed, and she looked at him with a kind of pale hostility. Her tone made it evident that his task would be difficult, but it did
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