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    Chapter 13 - Page 2

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    letters of
    bright vermilion.

    It was some foul parody, some infamous ignoble satire.
    He had never done that. Still, it was his own picture.
    He knew it, and he felt as if his blood had changed
    in a moment from fire to sluggish ice. His own picture!
    What did it mean? Why had it altered? He turned and looked
    at Dorian Gray with the eyes of a sick man. His mouth twitched,
    and his parched tongue seemed unable to articulate.
    He passed his hand across his forehead. It was dank with
    clammy sweat.

    The young man was leaning against the mantelshelf, watching him
    with that strange expression that one sees on the faces of those
    who are absorbed in a play when some great artist is acting.
    There was neither real sorrow in it nor real joy. There was
    simply the passion of the spectator, with perhaps a flicker
    of triumph in his eyes. He had taken the flower out of his coat,
    and was smelling it, or pretending to do so.

    "What does this mean?" cried Hallward, at last. His own voice sounded
    shrill and curious in his ears.

    "Years ago, when I was a boy," said Dorian Gray, crushing the flower
    in his hand, "you met me, flattered me, and taught me to be vain
    of my good looks. One day you introduced me to a friend of yours,
    who explained to me the wonder of youth, and you finished
    a portrait of me that revealed to me the wonder of beauty.
    In a mad moment that, even now, I don't know whether I regret
    or not, I made a wish, perhaps you would call it a prayer.
    . . ."

    "I remember it! Oh, how well I remember it! No! the thing is impossible.
    The room is damp. Mildew has got into the canvas. The paints I used had some
    wretched mineral poison in them. I tell you the thing is impossible."

    "Ah, what is impossible?" murmured the young man, going over to the window
    and leaning his forehead against the cold, mist-stained glass.

    "You told me you had destroyed it."

    "I was wrong. It has destroyed me."

    "I don't believe it is my picture."

    "Can't you see your ideal in it?" said Dorian bitterly.

    "My ideal, as you call it. . ."

    "As you called it."

    "There was nothing evil in it, nothing shameful. You were to me such
    an ideal as I shall never meet again. This is the face of a satyr."

    "It is the face of my soul."

    "Christ! what a thing I must have worshipped! It has the eyes of a devil."

    "Each of us has heaven and hell in him, Basil," cried Dorian
    with a wild gesture of despair.

    Hallward turned again to the portrait and gazed at it.
    "My God! If it is true," he exclaimed, "and this is
    what you have done with your life, why, you must be worse
    even than those who talk against you fancy you to be!"
    He held the light up again to the
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