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"Here's my theory about meetings and life; the three things you can't fake are erections, competence and creativity. That's why meetings become toxic they put uncreative people in a situation in which they have to be something they can never be. And the more effort they put into concealing their inabilities, the more toxic the meeting becomes. One of the most common creativity-faking tactics is when someone puts their hands in prayer position and conceals their mouth while they nod at you and say, 'Mmmmmm. Interesting.' If pressed, they'll add, 'I'll have to get back to you on that.' Then they don't say anything else."
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XII. The Woman at the Quinta
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Coming out into the open space, he got his first glimpse of the quinta. It was dark, except for one low light. From the farther side there came faintly to his ear a rhythmical sound, with brief intervals of quiet, as if some one hard at labor were stopping from time to time for breath. At that distance, Carroll could not interpret the sound, but some unidentified quality of it struck chill upon his fancy. Long experience in the woods had made him a good trailsman. He proceeded cautiously until he reached the edge of the clearing.
The sound had stopped now, but he thought he could hear heavy breathing from beyond the house. As he moved toward that side, a small but malevolent-looking snake slithered out from beneath a bush near by. Involuntarily he leaped aside. As he landed, a round pebble slipped under his foot. He flung up his arm. It met the low branch of a tree, and saved him a fall. But the thrashing of the leaves made a startling noise in the moonlit stillness. The snake went on about its business.
"Hola!" challenged a voice around the angle of the house.
Carroll recognized the voice. He stepped out of the shadows and strode across the open space. At the corner of the house he met the muzzle of a revolver pointing straight at the pit of his stomach. Back of it were the steady and now goggleless eyes of Luther Pruyn.
"I am unarmed," said Carroll.
"Ah, it's you!" said the other. He lowered his weapon, carefully whirled the cylinder to bring the hammer opposite an empty chamber, and dropped it in his pocket. "What do you want?"
"An explanation."
"Quite so," said the other coolly. "I'd forgotten that I invited you here. How long had you been watching me?"
"I saw you only when you came out from behind the house."
"And you wish to know about--about my companion in this place?" continued the other in an odd tone.
"Yes."
"Understand that I don't admit that you have the smallest right. But to clear up a situation which no longer exists, I'm ready to satisfy you. Come in."
He held open the door of the room where the lone light
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