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A Persistent Nationality - Page 2
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And what, now, was this strong Tuscan nationality, which persists so thoroughly through all external historical changes, and which has contributed so large and so marvellous a part to the world's thought and the world's culture? It is a curious consideration for those who talk so glibly, about the enormous natural superiority of the Aryan race, that the ancient Etruscans were the one people of the antique European world, who, by common consent, did not belong to the Aryan family. They were strangers in the land, or, rather, perhaps they were its oldest possessors. Their language, their physique, their creed, their art, all point to a wholly different origin from the Aryans. I am not going, in a brief essay like this, to settle dogmatically, off-hand, the vexed question of the origin and affinities of the Etruscan type; more nonsense, I suppose, has been talked and written upon that occult subject by learned men than even learned men have ever poured forth upon any other sublunary topic; but one thing at least, I take it, is absolutely certain amid the conflicting theories of ingenious theorists about the Etruscan race, and that one thing is that the Rasennæ stand in Europe absolutely alone, the sole representatives of some ancient and elsewhere exterminated stock, surviving only in Tuscany itself, and in the Rhætian Alps of the Canton Grisons.
At the moment when the Etruscans first appear in history, however, they appear as a race capable of acquiring and assimilating culture with great ease, rapidity, and certainty. No sooner do they come into contact with the Greek world than they absorb and reproduce all that was best and truest in Greek civilization. 'Merely receptive--European Chinese,' says, in effect, Mommsen, the great Roman historian: to me, that judgment, though true in some small degree, seems harsh indeed on a wider view, when applied to a people who begot at last the 'Divina Commedia,' the campanile of Florence, the dome of St. Peter's, and the glories of the Uffizi and the Pitti Palace. It is quite true that the Etruscans themselves, like the Japanese in our own time, did at first accept most imitatively the Hellenic culture; but they gradually remoulded it by their own effort into something new, growing and changing from age to age, until at last, in the Italian renaissance, they burst out with a wonderful and novel message to all the
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