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    Chapter 4 - Page 2

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    that I felt and acknowledged that it was best, both for her and for
    myself, that things had fallen out as they were. She had no idea,
    perhaps, how deep my feeling for her had been, or what an influence it
    produced in me. She had become the excellent wife of a good man, and a
    happy mother. God's blessing rest upon her!

    In my "Journey on Foot," and in most of my writings, satire had been
    the prevailing characteristic. This displeased many people, who thought
    that this bent of mind could lead to no good purpose. The critics now
    blamed me precisely for that which a far deeper feeling had expelled
    from my breast. A new collection of Poetry, "Fancies and Sketches,"
    which was published for the new year, showed satisfactorily what my
    heart suffered. A paraphrase of the history of my own heart appeared in
    a serious vaudeville, "Parting and Meeting," with this difference only,
    that here the love was mutual: the piece was not presented on the stage
    till five years later.

    Among my young friends in Copenhagen at that time was Orla Lehmann, who
    afterwards rose higher in popular favor, on account of his political
    efforts than any man in Denmark. Full of animation, eloquent and
    undaunted, his character of mind was one which interested me also. The
    German language was much studied at his father's; they had received
    there Heine's poems, and they were very attractive for young Orla. He
    lived in the country, in the neighborhood of the castle of
    Fredericksberg. I went there to see him, and he sang as I came one of
    Heine's verses, "Thalatta, Thalatta, du eviges Meer." We read Heine
    together; the afternoon and the evening passed, and I was obliged to
    remain there all night; but I had on this evening made the acquaintance
    of a poet, who, as it seemed to me, sang from the soul; he supplanted
    Hoffman, who, as might be seen by my "Journey on Foot," had formerly
    had the greatest influence on me. In my youth there were only three
    authors who as it were infused themselves into my blood,--Walter Scott,
    Hoffman, and Heine.

    I betrayed more and more in my writings an unhealthy turn of mind. I
    felt an inclination to seek for the melancholy in life, and to linger

    on the dark side of things. I became sensitive and thought rather of
    the blame than the praise which was lavished on me. My late school
    education, which was forced, and my impulse to become an author whilst
    I was yet a student, make it evident that my first work, the "Journey
    on Foot," was not without grammatical errors. Had I only paid some one
    to correct the press, which was a work I was unaccustomed to, then no
    charge of this kind could have been brought against me. Now, on the
    contrary, people laughed at
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