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"The most erroneous stories are those we think we know best - and therefore never scrutinize or question."
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Chapter VIII - Page 2
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When I said this to K. I heard, to my regret, the same stereotyped and indecent answer:
"The devil take it!"
All I could do was to shrug my shoulders. Suddenly changing his tone and bearing, the artist turned to me seriously with a question which, in my opinion, was also indecent:
"Why do you lie, old man?"
I was astonished, of course.
"I lie?"
"Well, let it be the truth, if you like, but why? I am looking and thinking. Why did you say that? Why?"
My indulgent reader, who knows well what the truth has cost me, will readily understand my profound indignation. I deliberately mention this audacious and other calumnious phrases to show in what an atmosphere of malice, distrust, and disrespect I have to plod along the hard road of suffering. He insisted rudely:
"I have had enough of your smiles. Tell me plainly, why do you speak so?"
Then, I admit, I flared up:
"You want to know why I speak the truth? Because I hate falsehood and I commit it to eternal anathema! Because fate has made me a victim of injustice, and as a victim, like Him who took upon Himself the great sin of the world and its great sufferings, I wish to point out the way to mankind. Wretched egoist, you know only yourself and your miserable art, while I love mankind."
My anger grew. I felt the veins on my forehead swelling.
"Fool, miserable dauber, unfortunate schoolboy, in love with colours! Human beings pass before you, and you see only their
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