Meet us on:
Welcome to Read Print! Sign in with
or
to get started!
 
Entire Site
    Try our fun game

    Dueling book covers…may the best design win!

    Random Quote
    "Who is rich? He that is content. Who is that? Nobody."
     

    Subscribe to Our Newsletter

    Follow us on Twitter

    Never miss a good book again! Follow Read Print on Twitter

    XXII - Page 2

    • Rate it:
    • Average Rating: 3.0 out of 5 based on 1 rating
    • 1 Favorite on Read Print
    Launch Reading Mode Next Chapter
    Page 2 of 2
    Previous Page
    his Philoctetes says:

    "phagedaina d'he mou sarkas esthiei podos.

    "The tumor which is eating the flesh of my foot. "

    Euripides substitutes thoinatai, 'feasts on,' for esthiei, 'feeds on.' Again, in the line,

    "nun de m'eon oligos te kai outidanos kai aeikes,

    "Yet a small man, worthless and unseemly, "

    the difference will be felt if we substitute the common words,

    "nun de m'eon mikros te kai asthenikos kai aeides.

    "Yet a little fellow, weak and ugly. "

    Or, if for the line,

    "diphron aeikelion katatheis oligen te trapezan,

    "Setting an unseemly couch and a meager table, "

    we read,

    "diphron mochtheron katatheis mikran te trapezan.

    "Setting a wretched couch and a puny table. "

    Or, for eiones booosin, 'the sea shores roar,' eiones krazousin, 'the sea shores screech.'

    Again, Ariphrades ridiculed the tragedians for using phrases which no one would employ in ordinary speech: for example, domaton apo, 'from the house away,' instead of apo domaton, 'away from the house;' sethen, ego de nin, 'to thee, and I to him;' Achilleos peri, 'Achilles about,' instead of peri Achilleos, 'about Achilles;' and the like. It is precisely because such phrases are not part of the current idiom that they give distinction to the style. This, however, he failed to see.

    It is a great matter to observe propriety in these several modes of expression, as also in compound words, strange (or rare) words, and so forth. But the greatest thing by far is to have a command of metaphor. This alone cannot be imparted by another; it is the mark of genius, for to make good metaphors implies an eye for resemblances.

    Of the various kinds of words, the compound are best adapted to dithyrambs, rare words to heroic poetry, metaphors to iambic. In heroic poetry, indeed, all these varieties are serviceable. But in iambic verse, which reproduces, as far as may be, familiar speech, the most appropriate words are those which are found even in prose. These are the current or proper, the metaphorical, the ornamental.

    Concerning Tragedy and imitation by means of action this may suffice.
    Next Chapter
    Page 2 of 2
    Previous Page
    If you're writing a Aristotle essay and need some advice, post your Aristotle essay question on our Facebook page where fellow bookworms are always glad to help!

    Top 5 Authors

    Top 5 Books

    Book Status
    Finished
    Want to read
    Abandoned

    Are you sure you want to leave this group?