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"When I do good, I feel good; when I do bad, I feel bad, and that is my religion."
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Arthur Leland
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This all looks well enough, but there is something wrong. Not in the house. No; it is as pleasant a cottage as you could wish--plenty of garden, peas and honeysuckles climbing up everywhere, green grass, white paint, Venetian blinds, comfortable furniture.
Not in Willie, the little scamp. No; rosy, healthy, good head, intelligent eyes, a fine specimen he was of an only son. Full of mischief, of course, he was. Overflowing with uproar and questions and mischief. Mustachios of egg or butter-milk or molasses after each meal, as a matter of course. Cut fingers, bumped forehead, torn clothes, all day long. Yet a more affectionate, easily-managed child never was.
The mischief was not in Lucy, the Mrs. Leland. I assure you it was not. Leland knew, to his heart's core, that a lovelier, more prudent, sensible, intelligent wife it was impossible to exist. Thrifty, loving, lady-like, right and true throughout.
Where was this mischief? Look at Leland. He is in perpetual motion. Reading, writing, walking the streets, he is always fast, in dead earnest. Somewhat too fast. There is a certain slowness about your strong man. You never associate the idea of mental depth and power with your quick-stepping man. You cannot conceive of a Roman emperor or a Daniel Webster as a slight, swift man. The bearing of a man's body is the outward emblem of the bearing of his soul. Leland is rather slight, rather swift. He meets you in his rapid walk. He stops, grasps your hand, asks cordially after your health. There is an open, warm feeling in the man. No hypocrisy whatever. Yet he talks too fast. He don't give you half a chance to answer one of his rapid questions, before he is asking another totally different. He is not at ease. He keeps you from being at ease. You feel it specially in his house. He is too cordial, too full of effort to make your visit pleasant to you. You like him, yet you don't feel altogether at home
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