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Chapter II
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The great double parlors of her new mansion were thrown into one and the simple furniture covered with gray rep was pushed against soft gray walls hung with several old portraits in oil, ferrotypes and silhouettes. A magnificent crystal chandelier depended from the high and lightly frescoed ceiling and there were side brackets beside the doors and the low mantel piece. Mrs. McLane may not have been able to achieve beauty with the aid of the San Francisco shops, but at least she had managed to give her rooms a severe and stately simplicity, vastly different from the helpless surrenders of her friends to mid-victorian deformities.
The rooms filled early. Mrs. McLane stood before the north windows receiving her friends with her usual brilliant smile, her manner of high dignity and sweet cordiality. She was a majestic figure in spite of her short stature and increasing curves, for the majesty was within and her head above a flat back had a lofty poise. She wore her prematurely white hair in a tall pompadour, and this with the rich velvets she affected, ample and long, made her look like a French marquise of the eighteenth century, stepped down from the canvas. The effect was by no means accidental. Mrs. McLane's grandmother had been French and she resembled her.
Her hoopskirt was small, but the other women were inclined to the extreme of the fashion; as they saw it in the Godey's Lady's Book they or their dressmakers subscribed to. Their handsome gowns spread widely and the rooms hardly could have seemed to sway and undulate more if an earthquake had rocked it. The older women wore small bonnets and cashmere shawls, lace collars and cameos, the younger fichus and small flat hats above their "waterfalls" or curled chignons. The husbands had retired with Mr. McLane to the smoking room, but there were many beaux present, equally expectant when not too absorbed.
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