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    Chapter 10 - Page 2

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    swaying, her arms hanging at her sides.

    "I am glad she will not dance with Weeliam," muttered Santiago. "I love him--yes; but the Spanish dance is not for the Bostonian."

    Rezanov awaited her performance with an interest that caused him some cynical amusement. But in a moment he had surrendered to her once more as a creature of inexhaustible surprise. The musicians, watching her, began to play more slowly. Concha, her arms still supine, her head lifted, her eyes half veiled, began to dance in a stately and measured fashion that seemed to powder her hair and dissolve the partitions before an endless vista of rooms. Rezanov had a sudden vision of the Hall of the Ambassadors in the royal palace at Madrid, where, when a young man on his travels, he had attended a state ball. There he had seen the most dignified beauties of Europe dance at the most formal of its courts. But Concha created the illusion of having stepped down from the throne in some bygone fashion to dance alone for her subjects and adorers.

    She raised her arms, barely budding at the top, with a gesture that was not only the poetry of grace but as though bestowing some royal favor; when she curved and swayed her body, again it was with the lofty sweetness of one too highly placed to descend to mere seductiveness. She glided up and down, back and forth, with a dreamy revealing motion as if assisting to shape some vague impassioned image in the brain of a poet. She lifted her little feet in a manner that transformed boards into clouds. There were moments when she seemed actually to soar.

    "She is a little genius!" thought Rezanov enthusiastically. "Anything could be made of a woman like that."

    It was not her dancing alone that interested him, but its effect on her audience. The young men had begun with audible expressions of approval. They were now shouting and stamping and clapping. Suddenly, as once more she danced back to the very center of the room, her bosom heaving, her eyes like stars, her red lips parted, Don Ignacio, long since recovered from his spleen, invaded his pocket and flung a handful of silver at her feet. It was a signal. Gold and silver coins, chains, watches, jewels, bounced over the floor, to be laughingly ignored. Rezanov looked on in amazement, wondering if this were a part of the performance and if he should follow suit. But after a glance at the faces of the young men, lost to everything but their passionate admiration for the unique and beautiful dancing of their Favorita, and when Sturgis, after wildly searching in his pockets, tore a large pearl from the lace of his stock, he doubted no longer--nor hesitated. Fastened by a blue ribbon to the fourth button of his closely fitting coat was a golden key, the outward symbol of his rank at court. He detached it, then made a sudden gesture that caught her attention. For a moment their eyes met. He tossed her the bauble, and
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