Chapter 13 - Page 2

table to emphasize his words, and presently he sprang up as though rushing toward the one to whom he had been speaking. He disappeared from the watcher's view for a moment and then, at the far side of the apartment, Norman of Torn saw him again just as he roughly grasped the figure of a woman who evidently was attempting to escape him. As she turned to face her tormentor, all the devil in the Devil of Torn surged in his aching head, for the face he saw was that of Joan de Tany.

With a muttered oath, the imprisoned man turned to hurl himself against the bolted door, but ere he had taken a single step, the sound of heavy feet without brought him to a stop, and the jingle of keys as one was fitted to the lock of the door sent him gliding stealthily to the wall beside the doorway, where the inswinging door would conceal him.

As the door was pushed back, a flickering torch lighted up, but dimly, the interior, so that until he had reached the center of the room, the visitor did not see that the cot was empty.

He was a man-at-arms, and at his side hung a sword. That was enough for the Devil of Torn -- it was a sword he craved most; and, ere the fellow could assure his slow wits that the cot was empty, steel fingers closed upon his throat, and he went down beneath the giant form of the outlaw.

Without other sound than the scuffing of their bodies on the floor, and the clanking of their armor, they fought, the one to reach the dagger at his side, the other to close forever the windpipe of his adversary.

Presently, the man-at-arms found what he sought, and, after tugging with ever diminishing strength, he felt the blade slip from its sheath. Slowly and feebly he raised it high above the back of the man on top of him; with a last supreme effort he drove the point downward, but ere it reached its goal, there was a sharp snapping sound as of a broken bone, the dagger fell harmlessly from his dead hand, and his head rolled backward upon his broken neck.

Snatching the sword from the body of his dead antagonist, Norman of Torn rushed from the tower room.

As John de Fulm, Earl of Buckingham, laid his vandal hands upon Joan de Tany, she turned upon him like a tigress. Blow after blow she rained upon his head and face until, in mortification and rage, he struck her full upon the mouth with his clenched fist; but even this did not subdue her and, with ever weakening strength, she continued to strike him. And then the great royalist Earl, the chosen friend of the King, took the fair white throat between his great fingers, and the lust of blood supplanted the lust of love, for he would have killed her in his rage.

It was upon this scene that the Outlaw of Torn burst with naked sword. They were at the far end of the apartment, and his cry of anger at the sight caused the Earl to drop his prey, and turn with drawn sword to meet him.

There were no words, for there was no