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Chapter 5
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These last days were full of secret joys, alternating with melancholy moods, with tiffs and quarrels even more delightful than the hours when Rodolphe and Francesca were of one mind. And he was more and more fascinated by this tenderness apart from wit, always and in all things the same, an affection that was jealous of mere nothings--already!
"You care very much for luxury?" said he one evening to Francesca, who was expressing her wish to get away from Gersau, where she missed many things.
"I!" cried she. "I love luxury as I love the arts, as I love a picture by Raphael, a fine horse, a beautiful day, or the Bay of Naples. Emilio," she went on, "have I ever complained here during our days of privation."
"You would not have been yourself if you had," replied the old man gravely.
"After all, is it not in the nature of plain folks to aspire to grandeur?" she asked, with a mischievous glance at Rodolphe and at her husband. "Were my feet made for fatigue?" she added, putting out two pretty little feet. "My hands"--and she held one out to Rodolphe-- "were those hands made to work?--Leave us," she said to her husband; "I want to speak to him."
The old man went into the drawing-room with sublime good faith; he was sure of his wife.
"I will not have you come with us to Geneva," she said to Rodolphe. "It is a gossiping town. Though I am far above the nonsense the world talks, I do not choose to be calumniated, not for my own sake, but for his. I make it my pride to be the glory of that old man, who is, after all, my only protector. We are leaving; stay here a few days. When you come on to Geneva, call first on my husband, and let him introduce you to me. Let us hide our great and unchangeable affection from the eyes of the world. I love you; you know it; but this is how I will prove it to you--you shall never discern in my conduct anything whatever that may arouse your jealousy."
She drew him into a corner of the balcony, kissed him on the forehead, and fled, leaving him in amazement.
Next day Rodolphe heard that the
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