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Chapter VIII. A Hand-Book to Hades - Page 2
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Then the details of amusements in this wonderful country--who could gather aught of these from the Italian poet? The theatres of Gehenna, with "Hamlet" produced under the joint direction of Shakespeare and the Prince of Denmark himself, the great Zoo of Sheolia, with Jumbo, and the famous woolly horse of earlier days, not to mention the long series of menageries which have passed over the dark river in the ages now forgotten; the hanging gardens of Babylon, where the picnicking element of Hades flock week after week, chuting the chutes, and clambering joyously in and out of the Trojan Horse, now set up in all its majesty therein, with bowling-alleys on its roof, elevators in its legs, and the original Ferris-wheel in its head; the freak museums in the densely populated sections of the large cities, where Hop o' my Thumb and Jack the Giant Killer are exhibited day after day alongside of the great ogres they have killed; the opera-house, with Siegfried himself singing, supported by the real Brunhild and the original, bona fide dragon Fafnir, running of his own motive power, and breathing actual fire and smoke without the aid of a steam-engine and a plumber to connect him therewith before he can go out upon the stage to engage Siegfried in deadly combat.
For the information contained in this last item alone, even if the book had no other virtue, it would be worthy of careful perusal from the opening paragraph on language, to the last, dealing with the descent into the Vitriol Reservoir at Gehenna. The account of the feeding of Fafnir, to which admission can be had on payment of ten oboli, beginning with a puree of kerosene, followed by a half-dozen cartridges on the half-shell, an entree of nitro-glycerine, a solid roast of cannel-coal, and a salad of gun-cotton, with a mayonnaise dressing of alcohol and a pinch of powder, topped off with a demi-tasse of benzine and a box of matches to keep the fires of
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