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    A Dramatic Evening

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    CHARACTERS:

    MR. THADDEUS PERKINS, a victim.
    MR. EDWARD BRADLEY, a friend in disguise.
    MR. ROBERT YARDSLEY, an amiable villain.
    MR. JOHN BARLOW, the amiable villain's assistant.
    MRS. THADDEUS PERKINS, a martyr.
    MRS. EDWARD BRADLEY, a woman of executive ability.
    JENNIE, a housemaid.

    The scene is placed in the drawing-room of Mr. and Mrs. Thaddeus
    Perkins, of New York. The time is a Saturday evening in the early
    spring, and the hour is approaching eight. The curtain, rising,
    discovers Perkins, in evening dress, reading a newspaper by the light
    of a lamp on the table. Mrs. Perkins is seated on the other side of
    the table, buttoning her gloves. Her wrap is on a chair near at
    hand. The room is gracefully over-furnished.

    Mrs. Perkins. Where are the seats, Thaddeus?

    Perkins. Third row; and, by Jove! Bess (looking at his watch), we
    must hurry. It is getting on towards eight now. The curtain rises
    at 8.15.

    Mrs. Perkins. The carriage hasn't come yet. It isn't more than a
    ten minutes' drive to the theatre.

    Perkins. That's true, but there are so many carriage-folk going to
    see Irving that if we don't start early we'll find ourselves on the
    end of the line, and the first act will be half over before we can
    reach our seats.

    Mrs. Perkins. I'm so glad we've got good seats--down near the front.
    I despise opera-glasses, and seats under the galleries are so
    oppressive.

    Perkins. Well, I don't know. For The Lyons Mail I think a seat in
    the front row of the top gallery, where you can cheer virtue and hiss
    villany without making yourself conspicuous, is the best.

    Mrs. Perkins. You don't mean to say that you'd like to sit up with
    those odious gallery gods?

    Perkins. For a melodrama, I do. What's the use of clapping your
    gloved hands together at a melodrama? That doesn't express your
    feelings. I always want to put two fingers in my mouth and pierce
    the atmosphere with a regular gallery-god whistle when I see the
    villain laid low by the tow-headed idiot in the last act--but it
    wouldn't do in the orchestra. You might as well expect the people in
    the boxes to eat peanuts as expect an orchestra-chair patron to
    whistle on his fingers.

    Mrs. Perkins. I should die of mortification if you ever should do

    such a vulgar thing, Thaddeus.

    Perkins. Then you needn't be afraid, my dear. I'm too fond of you
    to sacrifice you to my love for whistling. (The front-door bell
    rings.) Ah, there is the carriage at last. I'll go and get my coat.

    [Mrs. Perkins rises, and is about to don her wrap as Mr. Perkins goes
    towards the door.

    Enter Mr. and Mrs. Bradley. Perkins staggers backward in surprise.
    Mrs. Perkins lets her wrap fall to the
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