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    Act I

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    The scene is a darkened room, which the curtain reveals so stealthily
    that if there was a mouse on the stage it is there still. Our object
    is to catch our two chief characters unawares; they are Darkness and
    Light.

    The room is so obscure as to be invisible, but at the back of the
    obscurity are French windows, through which is seen Lob's garden
    bathed in moon-shine. The Darkness and Light, which this room and
    garden represent, are very still, but we should feel that it is only
    the pause in which old enemies regard each other before they come to
    the grip. The moonshine stealing about among the flowers, to give
    them their last instructions, has left a smile upon them, but it is a
    smile with a menace in it for the dwellers in darkness. What we
    expect to see next is the moonshine slowly pushing the windows open,
    so that it may whisper to a confederate in the house, whose name is
    Lob. But though we may be sure that this was about to happen it does
    not happen; a stir among the dwellers in darkness prevents it.

    These unsuspecting ones are in the dining-room, and as a communicating
    door opens we hear them at play. Several tenebrious shades appear in
    the lighted doorway and hesitate on the two steps that lead down into
    the unlit room. The fanciful among us may conceive a rustle at the
    same moment among the flowers. The engagement has begun, though not
    in the way we had intended.

    VOICES.--
    'Go on, Coady: lead the way.'
    'Oh dear, I don't see why I should go first.'
    'The nicest always goes first.'
    'It is a strange house if I am the nicest.'
    'It is a strange house.'
    'Don't close the door; I can't see where the switch is.'
    'Over here.'

    They have been groping their way forward, blissfully unaware of how
    they shall be groping there again more terribly before the night is
    out. Some one finds a switch, and the room is illumined, with the
    effect that the garden seems to have drawn back a step as if worsted
    in the first encounter. But it is only waiting.

    The apparently inoffensive chamber thus suddenly revealed is, for a
    bachelor's home, creditably like a charming country house

    drawing-room and abounds in the little feminine touches that are so
    often best applied by the hand of man. There is nothing in the room
    inimical to the ladies, unless it be the cut flowers which are from
    the garden and possibly in collusion with it. The fireplace may also
    be a little dubious. It has been hacked out of a thick wall which may
    have been there when the other walls were not, and is presumably the
    cavern where Lob, when alone, sits chatting to himself among the blue
    smoke. He is as much at home by this fire as any gnome that may be
    hiding among its shadows; but he is less familiar with the
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