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Chapter 2 - Page 2
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"I remember the act."
"Me an' Greenberg played the same bill with him twenty years ago." The Judge leaned forward, and a strong odor of whisky enveloped the caller. "Could you slip me four bits for some liniment?"
The critic smiled. "There's a dollar, Regan. Try Scotch for a change. It's better for you than these cheap blends. And don't breathe toward a lamp, or you'll ignite."
The Judge laughed wheezingly. "I do take a drop now and then."
"A drop? You'd better take a tumble, or Bergman will let you out."
"See here, you know all the managers, Mr. Pope. Can't you find a job for a swell dame?" the Judge inquired, anxiously.
"Who is she?"
"Lottie Devine. She's out with the 'Peach Blossom Girls.'"
"Lottie Devine. Why, she's your wife, isn't she?"
"Sure, and playing the 'Wheel' when she belongs in musical comedy. She dances as good as she did when we worked together--after she gets warmed up--and she looks great in tights--swellest legs in burlesque, Mr. Pope. Can't you place her?"
"She's a trifle old, I'm afraid."
"Huh! She wigs up a lot better'n some of the squabs in this troupe. Believe me, she'd fit any chorus."
"Why don't you ask Bergman?"
Mr. Regan shook his hairless head. "He's dippy on 'types.' This show's full of 'em: real blondes, real brunettes, bold and dashin' ones, tall and statelies, blushers, shrinkers, laughers, and sadlings. He won't stand for make-up; he wants 'em with the dew on. They've got to look natural for Bergman. That's some of 'em now." He nodded toward a group of young, fresh-cheeked girls who had entered the stage door and were hurrying down the hall. "There ain't a Hepnerized ensemble in the whole first act, and they wear talcum powder instead of tights. It's dimples he wants, not 'fats.' How them girls stand the draught I don't know. It would kill an old-timer."
"I've come to interview one of Bergman's 'types'; that new beauty, Miss Knight. Is she here yet?"
"Sure; her and the back-drop, too. She carries the old woman for scenery." Mr. Regan took the caller's card and shuffled away, leaving Pope to watch the stream of performers as they entered and made for their quarters. There were many women in the number, and all of them were pretty. Most of them were overdressed in the extremes of fashion; a few quietly garbed ladies and gentlemen entered the lower dressing-rooms reserved for the principals.
It was no novel sight to the reviewer, whose theatrical apprenticeship had been thorough, yet it never failed to awaken his deepest cynicism. Somewhere within
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