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    Chapter 5

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    V. Arguments of the Poems.

    * It has not been thought necessary, in these Arguments,
    to use quotation marks wherever expressions from the poems
    are incorporated; and especially where they are adapted
    in construction to the place where they are introduced.

    Wanting is -- What?

    "Love, the soul of soul, within the soul", the Christ-spirit,
    the spirit of the "Comer" (o' e'rxo/menos, Matt. 11:3),
    completes incompletion, reanimates that which without it is dead,
    and admits to a fellowship with the soul of things; 'Ubi caritas,
    ibi claritas'. See passage from 'Fifine at the Fair',
    quoted under 'My Star'.

    My Star.

    The following passage from 'Fifine at the Fair', section 55,
    is an expansion of the idea involved in 'My Star', and is
    the best commentary which can be given on it: --

    "I search but cannot see
    What purpose serves the soul that strives, or world it tries
    Conclusions with, unless the fruit of victories
    Stay, one and all, stored up and guaranteed its own
    For ever, by some mode whereby shall be made known
    The gain of every life. Death reads the title clear --
    What each soul for itself conquered from out things here:
    Since, IN THE SEEING SOUL, ALL WORTH LIES, I ASSERT, --
    AND NOUGHT I' THE WORLD, WHICH, SAVE FOR SOUL THAT SEES, INERT
    WAS, IS, AND WOULD BE EVER, -- STUFF FOR TRANSMUTING -- NULL
    AND VOID UNTIL MAN'S BREATH EVOKE THE BEAUTIFUL --
    BUT, TOUCHED ARIGHT, PROMPT YIELDS EACH PARTICLE, ITS TONGUE
    OF ELEMENTAL FLAME, -- no matter whence flame sprung
    From gums and spice, or else from straw and rottenness,
    So long as soul has power to make them burn, express
    What lights and warms henceforth, leaves only ash behind,
    Howe'er the chance: if soul be privileged to find
    Food so soon that, at first snatch of eye, suck of breath,
    It shall absorb pure life:" etc.

    The Flight of the Duchess.

    In 'The Flight of the Duchess' we are presented with
    a generous soul-life, as exhibited by the sweet, glad Duchess,
    linked with fossil conventionalism and mediaevalsim,

    and an inherited authority which brooks no submissiveness,
    as exhibited by the Duke, her husband, "out of whose veins
    ceremony and pride have driven the blood, leaving him but a fumigated
    and embalmed self". The scene of the poem is a "rough north land",
    subject to a Kaiser of Germany. The story is so plainly told
    that no prose summary of it could make it plainer. Its deeper meaning
    centres in the incantation of the old gypsy woman, in which
    is mystically shadowed forth the long and painful discipline
    through which the soul must pass before being fully admitted
    to the divine arcanum, "how love is the only good in the
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