Chapter 8
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'A Blot in the 'Scutcheon'--Letters to Mr. Frank Hill; Lady
Martin--Charles Dickens--Other Dramas and Minor Poems--Letters to Miss
Lee; Miss Haworth; Miss Flower--Second Italian Journey; Naples--E. J.
Trelawney--Stendhal.
'A Blot in the 'Scutcheon' was written for Macready, who meant to
perform the principal part; and we may conclude that the appeal for it
was urgent, since it was composed in the space of four or five days.
Macready's journals must have contained a fuller reference to both the
play and its performance (at Drury Lane, February 1843) than appears in
published form; but considerable irritation had arisen between him and
Mr. Browning, and he possibly wrote something which his editor, Sir
Frederick Pollock, as the friend of both, thought it best to omit. What
occurred on this occasion has been told in some detail by Mr. Gosse, and
would not need repeating if the question were only of re-telling it on
the same authority, in another person's words; but, through the kindness
of Mr. and Mrs. Frank Hill, I am able to give Mr. Browning's direct
statement of the case, as also his expressed judgment upon it. The
statement was made more than forty years later than the events to
which it refers, but will, nevertheless, be best given in its direct
connection with them.
The merits, or demerits, of 'A Blot in the 'Scutcheon' had been freshly
brought under discussion by its performance in London through the action
of the Browning Society, and in Washington by Mr. Laurence Barrett; and
it became the subject of a paragraph in one of the theatrical articles
prepared for the 'Daily News'. Mr. Hill was then editor of the paper,
and when the article came to him for revision, he thought it right
to submit to Mr. Browning the passages devoted to his tragedy, which
embodied some then prevailing, but, he strongly suspected, erroneous
impressions concerning it. The results of this kind and courteous
proceeding appear in the following letter.
19, Warwick Crescent: December 15, 1884.
My dear Mr. Hill,--It was kind and considerate of you to suppress the
paragraph which you send me,--and of which the publication would
have been unpleasant for reasons quite other than as regarding my own
work,--which exists to defend or accuse itself. You will judge of the
true reasons when I tell you the facts--so much of them as contradicts
the statements of your critic--who, I suppose, has received a stimulus
from the notice, in an American paper which arrived last week, of
Mr. Laurence Barrett's intention 'shortly to produce the play' in New
York--and subsequently in London: so that 'the failure' of forty-one
years ago might be duly influential at present--or two years hence
perhaps. The 'mere
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