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    Chapter 8 - Page 2

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    amateurs' are no high game.

    Macready received and accepted the play, while he was engaged at the
    Haymarket, and retained it for Drury Lane, of which I was ignorant that
    he was about to become the manager: he accepted it 'at the instigation'
    of nobody,--and Charles Dickens was not in England when he did so: it
    was read to him after his return, by Forster--and the glowing letter
    which contains his opinion of it, although directed by him to be shown
    to myself, was never heard of nor seen by me till printed in Forster's
    book some thirty years after. When the Drury Lane season began, Macready
    informed me that he should act the play when he had brought out two
    others--'The Patrician's Daughter', and 'Plighted Troth': having
    done so, he wrote to me that the former had been unsuccessful in
    money-drawing, and the latter had 'smashed his arrangements altogether':
    but he would still produce my play. I had--in my ignorance of certain
    symptoms better understood by Macready's professional acquaintances--I
    had no notion that it was a proper thing, in such a case, to 'release
    him from his promise'; on the contrary, I should have fancied that such
    a proposal was offensive. Soon after, Macready begged that I would call
    on him: he said the play had been read to the actors the day before,
    'and laughed at from beginning to end': on my speaking my mind about
    this, he explained that the reading had been done by the Prompter, a
    grotesque person with a red nose and wooden leg, ill at ease in the love
    scenes, and that he would himself make amends by reading the play next
    morning--which he did, and very adequately--but apprised me that, in
    consequence of the state of his mind, harassed by business and various
    trouble, the principal character must be taken by Mr. Phelps; and again
    I failed to understand,--what Forster subsequently assured me was plain
    as the sun at noonday,--that to allow at Macready's Theatre any
    other than Macready to play the principal part in a new piece was
    suicidal,--and really believed I was meeting his exigencies by accepting
    the substitution. At the rehearsal, Macready announced that Mr.
    Phelps was ill, and that he himself would read the part: on the third

    rehearsal, Mr. Phelps appeared for the first time, and sat in a chair
    while Macready more than read, rehearsed the part. The next morning Mr.
    Phelps waylaid me at the stage-door to say, with much emotion, that it
    never was intended that _he_ should be instrumental in the success of a
    new tragedy, and that Macready would play Tresham on the ground that
    himself, Phelps, was unable to do so. He added that he could not expect
    me to waive such an advantage,--but that, if I were prepared to waive
    it, 'he would take ether, sit up all night, and have the words in his
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