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    Chapter 17 - Page 2

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    their grist to his mill.

    And now, in addition to the large social tribute which he received, and
    had to pay, he was drinking in all the enjoyment, and incurring all the
    fatigue which the London musical world could create for him. In Italy
    he had found the natural home of the other arts. The one poem, 'Old
    Pictures in Florence', is sufficiently eloquent of long communion with
    the old masters and their works; and if his history in Florence and Rome
    had been written in his own letters instead of those of his wife, they
    must have held many reminiscences of galleries and studios, and of the
    places in which pictures are bought and sold. But his love for music
    was as certainly starved as the delight in painting and sculpture was
    nourished; and it had now grown into a passion, from the indulgence of
    which he derived, as he always declared, some of the most beneficent
    influences of his life. It would be scarcely an exaggeration to say that
    he attended every important concert of the season, whether isolated or
    given in a course. There was no engagement possible or actual, which did
    not yield to the discovery of its clashing with the day and hour fixed
    for one of these. His frequent companion on such occasions was Miss
    Egerton-Smith.

    Miss Smith became only known to Mr. Browning's general acquaintance
    through the dedicatory 'A. E. S.' of 'La Saisiaz'; but she was, at the
    time of her death, one of his oldest women friends. He first met her as
    a young woman in Florence when she was visiting there; and the love
    for and proficiency in music soon asserted itself as a bond of sympathy
    between them. They did not, however, see much of each other till he had
    finally left Italy, and she also had made her home in London. She there
    led a secluded life, although free from family ties, and enjoying a
    large income derived from the ownership of an important provincial
    paper. Mr. Browning was one of the very few persons whose society she
    cared to cultivate; and for many years the common musical interest took
    the practical, and for both of them convenient form, of their going to
    concerts together. After her death, in the autumn of 1877, he almost
    mechanically renounced all the musical entertainments to which she had

    so regularly accompanied him. The special motive and special facility
    were gone--she had been wont to call for him in her carriage; the
    habit was broken; there would have been first pain, and afterwards an
    unwelcome exertion in renewing it. Time was also beginning to sap his
    strength, while society, and perhaps friendship, were making increasing
    claims upon it. It may have been for this same reason that music after
    a time seemed to pass out of his life altogether. Yet its almost sudden
    eclipse was striking in the case of
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