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    Chapter 9 - Page 2

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    line of succession."

    "Oh, yes, she'd know that," put in Feather.

    It was Coombe who smiled now--very faintly.

    "You have a mistaken view of her," he said.

    "You admire her very much," Feather bridled. The figure of this
    big Scotch creature with her "line" and her "splendid grace and
    harmony" was enough to make one bridle.

    "She doesn't admire me," said Coombe. "She is not proud of me as
    a connection. She doesn't really want the position for the boy,
    in her heart of hearts."

    "Doesn't want it!" Feather's exclamation was a little jeer only
    because she would not have dared a big one.

    "She is Scotch Early Victorian in some things and extremely advanced
    in others," he went on. "She has strong ideas of her own as to
    how he shall be brought up. She's rather Greek in her feeling for
    his being as perfect physically and mentally as she can help him
    to be. She believes things. It was she who said what you did not
    understand--about the Creative Intention."

    "I suppose she is religious," Feather said. "Scotch people often
    are but their religion isn't usually like that. Creative Intention's
    a new name for God, I suppose. I ought to know all about God. I've
    heard enough about Him. My father was not a clergyman but he was
    very miserable, and it made him so religious that he was ALMOST
    one. We were every one of us christened and catechized and confirmed
    and all that. So God's rather an old story."

    "Queer how old--from Greenland's icy mountains to India's coral
    strand," said Coombe. "It's an ancient search--that for the
    Idea--whether it takes form in metal or wood or stone."

    "Well," said Feather, holding her bit of gauze away from her
    the better to criticize the pink flower. "As ALMOST a clergyman's
    daughter I must say that if there is one tiling God didn't do, it
    was to fill the world with beautiful people and things as if it
    was only to be happy in. It was made to-to try us by suffering
    and-that sort of thing. It's a-a-what d'ye call it? Something
    beginning with P."

    "Probation," suggested Coombe regarding her with an expression of
    speculative interest. Her airy bringing forth of her glib time-worn
    little scraps of orthodoxy--as one who fished them out of a bag of
    long-discarded remnants of rubbish--was so true to type that it
    almost fascinated him for a moment.

    "Yes. That's it--probation," she answered. "I knew it began with
    a P. It means 'thorny paths' and 'seas of blood' and, if you are
    religious, you 'tread them with bleeding feet--' or swim them as
    the people do in
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