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"You must keep sending work out; you must never let a manuscript do nothing but eat its head off in a drawer. You send that work out again and again, while you're working on another one. If you have talent, you will receive some measure of success - but only if you persist."
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Chapter 26
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"As I was saying to Miss Tuppence," resumed the lawyer, "I set to work to prove the impossible possible. The great stumbling-block was the undeniable fact that Julius Hersheimmer was not an assumed name. When I came across this paragraph my problem was solved. Julius Hersheimmer set out to discover what had become of his cousin. He went out West, where he obtained news of her and her photograph to aid him in his search. On the eve of his departure from New York he was set upon and murdered. His body was dressed in shabby clothes, and the face disfigured to prevent identification. Mr. Brown took his place. He sailed immediately for England. None of the real Hersheimmer's friends or intimates saw him before he sailed--though indeed it would hardly have mattered if they had, the impersonation was so perfect. Since then he had been hand and glove with those sworn to hunt him down. Every secret of theirs has been known to him. Only once did he come near disaster. Mrs. Vandemeyer knew his secret. It was no part of his plan that that huge bribe should ever be offered to her. But for Miss Tuppence's fortunate change of plan, she would have been far away from the flat when we arrived there. Exposure stared him in the face. He took a desperate step, trusting in his assumed character to avert suspicion. He nearly succeeded--but not quite."
"I can't believe it," murmured Jane. "He seemed so splendid."
"The real Julius Hersheimmer was a splendid fellow! And Mr. Brown is a consummate actor. But ask Miss Tuppence if she also has not had her suspicions."
Jane turned mutely to Tuppence. The latter nodded.
"I didn't want to say it, Jane--I knew it would hurt you. And, after all, I couldn't be sure. I still don't understand why, if he's Mr. Brown, he rescued us."
"Was it Julius Hersheimmer who helped you to escape?"
Tuppence recounted to Sir James the exciting events of the evening, ending up: "But I can't see why!"
"Can't you? I can. So can young Beresford, by his actions. As a last hope Jane Finn was to be allowed to escape--and the escape must be managed so that she harbours no suspicions of its being a put-up job. They're not averse to young Beresford's being in the neighbourhood, and, if necessary, communicating with you. They'll take care to get him out of the way at the right minute. Then Julius Hersheimmer dashes up and rescues you in true melodramatic style. Bullets fly--but don't hit anybody. What would have happened next? You would have driven straight to the house in Soho and secured the document which Miss Finn would probably have entrusted to her cousin's
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