Chapter XXXVI - Page 2

do with a garden in which I had in childhood gathered so many a nosegay, and which had seemed my own for many years after I had reached man's estate; to see the rooms bereft of every familiar feature, and made so unfamiliar in spite of their familiarity. Had there been any sufficient reason, I should have taken these things as a matter of course, and should no doubt have found them much worse in anticipation than in reality, but as there had been no special reason why I should go to Paleham I had hitherto avoided doing so. Now, however, my going was a necessity, and I confess I never felt more subdued than I did on arriving there with the dead playmate of my childhood.

I found the village more changed than I had expected. The railway had come there, and a brand new yellow brick station was on the site of old Mr and Mrs Pontifex's cottage. Nothing but the carpenter's shop was now standing. I saw many faces I knew, but even in six years they seemed to have grown wonderfully older. Some of the very old were dead, and the old were getting very old in their stead. I felt like the changeling in the fairy story who came back after a seven years' sleep. Everyone seemed glad to see me, though I had never given them particular cause to be so, and everyone who remembered old Mr and Mrs Pontifex spoke warmly of them and were pleased at their granddaughter's wishing to be laid near them. Entering the churchyard and standing in the twilight of a gusty cloudy evening on the spot close beside old Mrs Pontifex's grave which I had chosen for Alethea's, I thought of the many times that she, who would lie there henceforth, and I, who must surely lie one day in some such another place though when and where I knew not, had romped over this very spot as childish lovers together. Next morning I followed her to the grave, and in due course set up a plain upright slab to her memory as like as might be to those over the graves of her grandmother and grandfather. I gave the dates and places of her birth and death, but added nothing except that this stone was set up by one who had known and loved her. Knowing how fond she had been of music I had been half inclined at one time to inscribe a few bars of music, if I could find any which seemed suitable to her character, but I knew how much she would have disliked anything singular in connection with her tombstone and did not do it.

Before, however, I had come to this conclusion, I had thought that Ernest might be able to help me to the right thing, and had written to him upon the subject. The following is the answer I received -

"Dear Godpapa,--I send you the best bit I can think of; it is the subject of the last of Handel's six grand fugues and goes thus:-

[Music score]

It would do better for a man, especially for an old man who was very sorry for things, than for a woman, but I cannot think of anything better; if you do not like it for Aunt Alethea I shall keep it