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Ch. 22: Locarno
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The programme announced that the festivities would begin on, Saturday, at 3.30 P.M., with the carrying of the sacred image (sacro simulacro) of the Virgin from the Madonna del Sasso to the collegiate church of S. Antonio. There would then be a benediction and celebration of the holy communion. At eight o'clock there were to be illuminations, fireworks, balloons, &c., at the sanctuary and the adjacent premises.
On Sunday at half-past nine there was to be mass at the church of S. Antonio, with a homily by Monsignor Paolo Angelo Ballerini, Patriarch of Alexandria in partibus, and blessing of the crown sent by Pope Leo XIII for the occasion. S. Antonio is the church the roof of which fell in during service one Sunday in 1865, through the weight of the snow, killing sixty people. At half-past three a grand procession would convey the Holy Image to a pretty temple which had been erected in the market-place. The image was then to be crowned by the Patriarch, carried round the town in procession, and returned to the church of S. Antonio. At eight o'clock there were to be fireworks near the port; a grand illumination of a triumphal arch, an illumination of the sanctuary and chapels with Bengal lights, and an artificial apparition of the Madonna (Apparizione artificiale della Beata Vergine col Bambino) above the church upon the Sacro Monte. Next day the Holy Image was to be carried back from the church of S. Antonio to its normal resting- place at the sanctuary. We wanted to see all this, but it was the artificial apparition of the Madonna that most attracted us.
Locarno is, as every one knows, a beautiful town. Both the Hotel Locarno and the Hotel della Corona are good, but the latter is, I believe, the cheaper. At the castello there is a fresco of the Madonna, ascribed, I should think rightly, to Bernardino Luini, and at the cemetery outside the town there are some old frescoes of the second half of the fifteenth century, in a ruinous state, but interesting. If I remember rightly there are several dates on them, averaging 1475-80. They might easily have been done by the same man who did the frescoes at Mesocco, but I prefer these last. The great feature, however, of Locarno is the Sacro Monte which rises above it. From the wooden bridge which crosses the stream just before entering upon the sacred precincts, the church and chapels and road arrange themselves as on p. 269.
On the way up, keeping to the steeper and abrupter route, one catches sight of the monks' garden--a little paradise with vines, beehives, onions, lettuces, cabbages, marigolds to colour the risotto with, and a little plot of great luxuriant tobacco plants. Amongst the foliage may be now and again seen the burly figure of a monk with a straw hat
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