The Aunt, Nieces and the Dog

When a thing is old, broken, and useless we throw it on the dust-
heap, but when it is sufficiently old, sufficiently broken, and
sufficiently useless we give money for it, put it into a museum, and
read papers over it which people come long distances to hear. By-
and-by, when the whirligig of time has brought on another revenge,
the museum itself becomes a dust-heap, and remains so till after
long ages it is re-discovered, and valued as belonging to a neo-
rubbish age--containing, perhaps, traces of a still older paleo-
rubbish civilisation. So when people are old, indigent, and in all
respects incapable, we hold them in greater and greater contempt as
their poverty and impotence increase, till they reach the pitch when
they are actually at the point to die, whereon they become sublime.
Then we place every resource our hospitals can command at their
disposal, and show no stint in our consideration for them.

It is the same with all our interests. We care most about extremes
of importance and of unimportance; but extremes of importance are
tainted with fear, and a very imperfect fear casteth out love.
Extremes of unimportance cannot hurt us, therefore we are well
disposed towards them; the means may come to do so, therefore we do
not love them. Hence we pick a fly out of a milk-jug and watch with
pleasure over its recovery, for we are confident that under no
conceivable circumstances will it want to borrow money from us; but
we feel less sure about a mouse, so we show it no quarter. The
compilers of our almanacs well know this tendency of our natures, so
they tell us, not when Noah went into the ark, nor when the temple
of Jerusalem was dedicated, but that Lindley Murray, grammarian,
died January 16, 1826. This is not because they could not find so
many as three hundred and sixty-five events of considerable interest
since the creation of the world, but because they well know we would
rather hear of something less interesting. We care most about what
concerns us either very closely, or so little that practically we
have nothing whatever to do with it.

I once asked a young Italian, who professed to have a considerable
knowledge of English literature, which of all our poems pleased him
best. He replied without a moment's hesitation:-

"Hey diddle diddle, the cat and the fiddle,
The cow jumped over the moon;
The little dog laughed to see such sport,
And the dish ran away with the spoon."

He said this was better than anything in Italian. They had Dante
and Tasso, and ever so many more great poets, but they had nothing
comparable to "Hey diddle diddle," nor had he been able to conceive
how any one could have written it. Did I know the author's name,
and had we