Chapter 9

THE ASCENT, AND THE FIRST FOUR CHAPELS.

The ascent to the Sacro Monte begins immediately after the church of Sta. Maria delle Grazie has been passed, and is made by a large broad road paved with rounded stones, and beautifully shaded by the chestnuts that grow on the steep side of the mountain. The old road up the mountain was below the present, and remains of it may yet be seen. Ere long a steeper narrower road branches off to the right hand, which makes rather a shorter cut, and is commonly called the "Strada della Madonna." From this name it has become generally believed that the Madonna once actually came to Varallo to see the Sacro Monte, and took this shorter road. There is no genuine tradition, however, to this effect, and the belief may be traced to misapprehension of a passage in Fassola and Torrotti, who say that the main road represents the path taken by Christ himself on his journey to Calvary, while the other symbolises the short cut taken by the Virgin when she went to rejoin him after his resurrection. When he was Assistente, which I gather to have been much what the Director of the Sacro Monte is now, Torrotti had some poetry put up to say this.

At the point where the two roads again meet there is a large wooden cross, from which the faithful may help themselves to a chip. That they do get chips is evident by the state of the cross, but the wood is hard, and none but the very faithful will get so much but that plenty will be left for those who may come after them. I saw a stout elderly lady trying to get a chip last summer; she was baffled, puzzled, frowned a good deal, and was perspiring freely. She tried here, and she tried there, but could get no chip; and presently began to cry. Jones and I had been watching her perplexity, as we came up the Strada della Madonna, and having a stouter knife than hers offered to help her. She was most grateful, when, not without difficulty, Jones succeeded in whittling for her a piece about an inch long, and as thick as the wood of a match box. "Per Bacco," she exclaimed, still agitated, and not without asperity, "I never saw such a cross in my life." The old cross, considered to be now past further whittling, was lying by the roadside ready to be taken away. I had wanted to get the lady a chip from this, thinking it looked as if it would lend itself more easily to the design, but she said it would not do. They have a new cross every year, and they always select a hard knotty uncompromising piece of wood for the purpose. The old is then taken away and burnt for firewood.

Of this cross Fassola says it was here ("e qui fu dove") the Virgin met her son, and that for this reason a small chapel was placed rather higher up, which represents the place where she took a little rest, and was hence called the Capella del Riposo. It was decorated with frescoes by Gaudenzio, which have long since disappeared; these were early works,