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    Act III

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    SCENE:

    A reception-room cut off from a drawing-room by an arch. Chandelier lighted. A Jewish band, the one mentioned in Act II, is heard playing in another room. Evening. In the drawing-room the grand rond is being danced. Voice of SIMEONOV PISCHIN "Promenade a une paire!" Dancers come into the reception-room; the first pair are PISCHIN and CHARLOTTA IVANOVNA; the second, TROFIMOV and LUBOV ANDREYEVNA; the third, ANYA and the POST OFFICE CLERK; the fourth, VARYA and the STATION-MASTER, and so on. VARYA is crying gently and wipes away her tears as she dances. DUNYASHA is in the last pair. They go off into the drawing-room, PISCHIN shouting, "Grand rond, balancez:" and "Les cavaliers à genou et remerciez vos dames!" FIERS, in a dress-coat, carries a tray with seltzer-water across. Enter PISCHIN and TROFIMOV from the drawing-room.

    PISCHIN. I'm full-blooded and have already had two strokes; it's hard for me to dance, but, as they say, if you're in Rome, you must do as Rome does. I've got the strength of a horse. My dead father, who liked a joke, peace to his bones, used to say, talking of our ancestors, that the ancient stock of the Simeonov-Pischins was descended from that identical horse that Caligula made a senator. . . . [Sits] But the trouble is, I've no money! A hungry dog only believes in meat. [Snores and wakes up again immediately] So I . . . only believe in money. . . . .

    TROFIMOV. Yes. There is something equine about your figure.

    PISCHIN. Well . . . a horse is a fine animal . . . you can sell a horse.

    Billiard playing can be heard in the next room. VARYA appears under the arch.

    TROFIMOV. [Teasing] Madame Lopakhin! Madame Lopakhin!

    VARYA. [Angry] Decayed gentleman!

    TROFIMOV. Yes, I am a decayed gentleman, and I'm proud of it!

    VARYA. [Bitterly] We've hired the musicians, but how are they to be paid? [Exit.]

    TROFIMOV. [To PISCHIN] If the energy which you, in the course of your life, have spent in looking for money to pay interest had been used for something else, then, I believe, after all, you'd be able to turn everything upside down.

    PISCHIN. Nietzsche . . . a philosopher . . . a very great, a most celebrated man . . . a man of enormous brain, says in his books that you can forge bank-notes.

    TROFIMOV. And have you read Nietzsche?


    PISCHIN. Well . . Dashenka told me. Now I'm in such a position, I wouldn't mind forging them . . . I've got to pay 310 roubles the day after to-morrow . . . I've got 130 already. . . . [Feels his pockets, nervously] I've lost the money! The money's gone! [Crying] Where's the money? [Joyfully] Here it is behind the lining . . . I even began to perspire.

    Enter LUBOV ANDREYEVNA and CHARLOTTA IVANOVNA.

    LUBOV. [Humming a Caucasian dance] Why is Leonid away so long? What's he doing in town? [To DUNYASHA] Dunyasha, give the
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