Part 3 - Chapter 4

Charles Gould turned towards the town. Before him the jagged peaks of the Sierra came out all black in the clear dawn. Here and there a muffled lepero whisked round the corner of a grass-grown street before the ringing hoofs of his horse. Dogs barked behind the walls of the gardens; and with the colourless light the chill of the snows seemed to fall from the mountains upon the disjointed pavements and the shuttered houses with broken cornices and the plaster peeling in patches between the flat pilasters of the fronts. The daybreak struggled with the gloom under the arcades on the Plaza, with no signs of country people disposing their goods for the day's market, piles of fruit, bundles of vegetables ornamented with flowers, on low benches under enormous mat umbrellas; with no cheery early morning bustle of villagers, women, children, and loaded donkeys. Only a few scattered knots of revolutionists stood in the vast space, all looking one way from under their slouched hats for some sign of news from Rincon. The largest of those groups turned about like one man as Charles Gould passed, and shouted, "Viva la libertad!" after him in a menacing tone.

Charles Gould rode on, and turned into the archway of his house. In the patio littered with straw, a practicante, one of Dr. Monygham's native assistants, sat on the ground with his back against the rim of the fountain, fingering a guitar discreetly, while two girls of the lower class, standing up before him, shuffled their feet a little and waved their arms, humming a popular dance tune.

Most of the wounded during the two days of rioting had been taken away already by their friends and relations, but several figures could be seen sitting up balancing their bandaged heads in time to the music. Charles Gould dismounted. A sleepy mozo coming out of the bakery door took hold of the horse's bridle; the practicante endeavoured to conceal his guitar hastily; the girls, unabashed, stepped back smiling; and Charles Gould, on his way to the staircase, glanced into a dark corner of the patio at another group, a mortally wounded Cargador with a woman kneeling by his side; she mumbled prayers rapidly, trying at the same time to force a piece of orange between the stiffening lips of the dying man.

The cruel futility of things stood unveiled in the levity and sufferings of that incorrigible people; the cruel futility of lives and of deaths thrown away in the vain endeavour to attain an enduring solution of the problem. Unlike Decoud, Charles Gould could not play lightly a part in a tragic farce. It was tragic enough for him in all conscience, but he could see no farcical element. He suffered too much under a conviction of irremediable folly. He was too severely practical and too idealistic to look upon its terrible humours with amusement, as Martin Decoud, the imaginative materialist, was able to do in the dry light of his scepticism. To him, as to all of us, the compromises with his