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    Chapter 7

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    CHAPTER VII

    _THE RING AND THE BOOK_

    When we have once realised the great conception of the plan of _The
    Ring and the Book_, the studying of a single matter from nine
    different stand-points, it becomes exceedingly interesting to notice
    what these stand-points are; what figures Browning has selected as
    voicing the essential and distinct versions of the case. One of the
    ablest and most sympathetic of all the critics of Browning, Mr.
    Augustine Birrell, has said in one place that the speeches of the two
    advocates in _The Ring and the Book_ will scarcely be very interesting
    to the ordinary reader. However that may be, there can be little doubt
    that a great number of the readers of Browning think them beside the
    mark and adventitious. But it is exceedingly dangerous to say that
    anything in Browning is irrelevant or unnecessary. We are apt to go on
    thinking so until some mere trifle puts the matter in a new light, and
    the detail that seemed meaningless springs up as almost the central
    pillar of the structure. In the successive monologues of his poem,
    Browning is endeavouring to depict the various strange ways in which a
    fact gets itself presented to the world. In every question there are
    partisans who bring cogent and convincing arguments for the right
    side; there are also partisans who bring cogent and convincing
    arguments for the wrong side. But over and above these, there does
    exist in every great controversy a class of more or less official
    partisans who are continually engaged in defending each cause by
    entirely inappropriate arguments. They do not know the real good that
    can be said for the good cause, nor the real good that can be said for
    the bad one. They are represented by the animated, learned, eloquent,
    ingenious, and entirely futile and impertinent arguments of Juris
    Doctor Bottinius and Dominus Hyacinthus de Archangelis. These two men
    brilliantly misrepresent, not merely each other's cause, but their own
    cause. The introduction of them is one of the finest and most artistic
    strokes in _The Ring and the Book_.

    We can see the matter best by taking an imaginary parallel. Suppose
    that a poet of the type of Browning lived some centuries hence and

    found in some _cause célèbre_ of our day, such as the Parnell
    Commission, an opportunity for a work similar in its design to _The
    Ring and the Book_. The first monologue, which would be called
    "Half-London," would be the arguments of an ordinary educated and
    sensible Unionist who believed that there really was evidence that the
    Nationalist movement in Ireland was rooted in crime and public panic.
    The "Otherhalf-London" would be the utterance of an ordinary educated
    and sensible Home Ruler, who thought that in the
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