Chapter 35

CHAPTER III.

The next night, at the time of assembling specified in the invitations to the masked ball, Fabio was still lingering in his palace, and still allowing the black domino to lie untouched and unheeded on his dressing-table. This delay was not produced by any change in his resolution to go to the Melani Palace. His determination to be present at the ball remained unshaken; and yet, at the last moment, he lingered and lingered on, without knowing why. Some strange influence seemed to be keeping him within the walls of his lonely home. It was as if the great, empty, silent palace had almost recovered on that night the charm which it had lost when its mistress died.

He left his own apartment and went to the bedroom where his infant child lay asleep in her little crib. He sat watching her, and thinking quietly and tenderly of many past events in his life for a long time, then returned to his room. A sudden sense of loneliness came upon him after his visit to the child's bedside; but he did not attempt to raise his spirits even then by going to the ball. He descended instead to his study, lighted his reading-lamp, and then, opening a bureau, took from one of the drawers in it the letter which Nanina had written to him. This was not the first time that a sudden sense of his solitude had connected itself inexplicably with the remembrance of the work-girl's letter.

He read it through slowly, and when he had done, kept it open in his hand. "I have youth, titles, wealth," he thought to himself, sadly; "everything that is sought after in this world. And yet if I try to think of any human being who really and truly loves me, I can remember but one--the poor, faithful girl who wrote these lines!"

Old recollections of the first day when he met with Nanina, of the first sitting she had given him in Luca Lomi's studio, of the first visit to the neat little room in the by-street, began to rise more and more vividly in his mind. Entirely absorbed by them, he sat absently drawing with pen and ink, on some sheets of letter-paper lying under his hand, lines and circles, and fragments of decorations, and vague remembrances of old ideas for statues, until the sudden sinking of the flame of his lamp awoke his attention abruptly to present things.

He looked at his watch. It was close on midnight.

This discovery at last aroused him to the necessity of immediate departure. In a few minutes he had put on his domino and mask, and was on his way to the ball.

Before he reached the Melani Palace the first part of the entertainment had come to an end. The "Toy Symphony" had been played, the grotesque dance performed, amid universal laughter; and now the guests were, for the most part, fortifying themselves in the Arcadian bowers for new dances, in which all persons present were expected to take part. The Marquis Melani had, with characteristic oddity, divided his