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Chapter 39
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The next morning, among the first visitors at the Ascoli Palace was the master-sculptor, Luca Lomi. He seemed, as the servants thought, agitated, and said he was especially desirous of seeing Count Fabio. On being informed that this was impossible, he reflected a little, and then inquired if the medical attendant of the count was at the palace, and could be spoken with. Both questions were answered in the affirmative, and he was ushered into the doctor's presence.
"I know not how to preface what I want to say," Luca began, looking about him confusedly. "May I ask you, in the first place, if the work-girl named Nanina was here yesterday?"
"She was," said the doctor.
"Did she speak in private with any one?"
"Yes; with me."
"Then you know everything?"
"Absolutely everything."
"I am glad at least to find that my object in wishing to see the count can be equally well answered by seeing you. My brother, I regret to say--" He stopped perplexedly, and drew from his pocket a roll of papers.
"You may speak of your brother in the plainest terms," said the doctor. "I know what share he has had in promoting the infamous conspiracy of the Yellow Mask."
"My petition to you, and through you to the count, is, that your knowledge of what my brother has done may go no further. If this scandal becomes public it will ruin me in my profession. And I make little enough by it already," said Luca, with his old sordid smile breaking out again faintly on his face.
"Pray do you come from your brother with this petition?" inquired the doctor.
"No; I come solely on my own account. My brother seems careless what happens. He has made a full statement of his share in the matter from the first; has forwarded it to his ecclesiastical superior (who will send it to the archbishop), and is now awaiting whatever sentence they choose to pass on him. I have a copy of the document, to prove that he has at least been candid, and that he does not shrink from consequences which he might have avoided by flight. The law cannot touch him, but the Church can--and to the Church he has confessed. All I ask is, that he may be spared a public exposure. Such an exposure would do no good to the count, and it would do dreadful injury to me. Look over the papers yourself, and show them, whenever you think proper, to the master of this house. I have every confidence in his honor and kindness, and in yours."
He laid the roll of papers open on the table, and then retired with great humility to the window. The doctor looked over them with some curiosity.
The statement or confession began by boldly avowing the writer's conviction that part of the property which the Count Fabio d'Ascoli had inherited from his
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