Chapter I. The Coward - Page 2

orchard "Ol' Martin" was working with his team under the trees which came in rows down to the road. Finding nothing to interest him there, he turned toward the village and his eyes searched the street. Opposite the Gwynnes' gate, Dr. Bush's house stood back among the trees, but there was no sign of life about it. Further down on the same side of the street, the Widow Martin's cottage, with porch vine covered and windows bright with flowers, hid itself under a great spreading maple. In front of the cottage the Widow Martin herself was busy in the garden. He liked the Widow Martin but found her not sufficiently exciting to hold him this spring morning. A vacant lot or two and still on the same side came the blacksmith's shop just at the crossroads, and across the street from it his father's store. But neither at the blacksmith's shop nor at the store across from it was there anything to awaken even a passing interest. Some farmers' teams and dogs, Pat Larkin's milk wagon with its load of great cans on its way to the cheese factory and some stray villagers here and there upon the street intent upon their business. Up the street his eye travelled beyond the crossroads where stood on the left Cheatley's butcher shop and on the right McKenny's hotel with attached sheds and outhouses. Over the bridge and up the hill the street went straight away, past the stone built Episcopal Church whose spire lifted itself above the maple trees, past the Rectory, solid, square and built of stone, past the mill standing on the right back from the street beside the dam, over the hill, and so disappeared. The whole village seemed asleep and dreaming among its maple trees in the bright sunlight.

Throwing another glance at the robin still singing on the treetop overhead, the boy took from his pocket a mouth-organ, threw back his head, squared his elbows out from his sides to give him the lung room he needed, and in obedience to a sharp word of command after a preliminary tum, tum, tum, struck up the ancient triumph hymn in memory of that hero of the underground railroad by which so many slaves of the South in bygone days made their escape "up No'th" to Canada and to freedom.

"Glory, glory, hallelujah, his soul goes marching on." By means of "double-tongueing," a recently acquired accomplishment, he was able to give a full brass band effect to his hymn of freedom. Many villagers from door or window cast a kindly and admiring eye upon the gallant little figure stepping to his own music down the street. He was brass band, conductor, brigadier general all in one, and behind him marched an army of heroes off for war and deathless glory, invisible and invincible. To the Widow Martin as he swung past the leader flung a wave of his hand. With a tender light in her old eyes the Widow Martin waved back at him. "God bless his bright face," she murmured, pausing in her work to watch the upright little figure as