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    Twixt Land and Sea - Page 2

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    trading to India, China, and
    Australia: a great company the last years of which coincided with my
    first years on the wider seas. The fact itself happened on board a very
    distinguished member of it, _Cutty Sark_ by name and belonging to Mr.
    Willis, a notable ship-owner in his day, one of the kind (they are all
    underground now) who used personally to see his ships start on their
    voyages to those distant shores where they showed worthily the honoured
    house-flag of their owner. I am glad I was not too late to get at
    least one glimpse of Mr. Willis on a very wet and gloomy morning
    watching from the pier head of the New South Dock one of his clippers
    starting on a China voyage--an imposing figure of a man under the
    invariable white hat so well known in the Port of London, waiting till
    the head of his ship had swung down-stream before giving her a dignified
    wave of a big gloved hand. For all I know it may have been the _Cutty
    Sark_ herself though certainly not on that fatal voyage. I do not know
    the date of the occurrence on which the scheme of The Secret Sharer is
    founded; it came to light and even got into newspapers about the middle
    eighties, though I had heard of it before, as it were privately, among
    the officers of the great wool fleet in which my first years in deep
    water were served. It came to light under circumstances dramatic enough,
    I think, but which have nothing to do with my story. In the more
    specially maritime part of my writings this bit of presentation may take
    its place as one of my two Calm-pieces. For, if there is to be any
    classification by subjects, I have done two Storm-pieces in "The Nigger
    of the _Narcissus_" and in "Typhoon"; and two Calm-pieces: this one and
    "The Shadow-Line," a book which belongs to a later period.

    Notwithstanding their autobiographical form the above two stories are
    not the record of personal experience. Their quality, such as it is,
    depends on something larger if less precise: on the character, vision
    and sentiment of the first twenty independent years of my life. And the
    same may be said of the Freya of the Seven Isles. I was considerably
    abused for writing that story on the ground of its cruelty, both in

    public prints and private letters. I remember one from a man in America
    who was quite furiously angry. He told me with curses and imprecations
    that I had no right to write such an abominable thing which, he said,
    had gratuitously and intolerably harrowed his feelings. It was a very
    interesting letter to read. Impressive too. I carried it for some days
    in my pocket. Had I the right? The sincerity of the anger impressed me.
    Had I the right? Had I really sinned as he said or was it only that
    man's madness? Yet there was a method in his fury.... I
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