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    The Pantomime of Life

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    Before we plunge headlong into this paper, let us at once confess
    to a fondness for pantomimes--to a gentle sympathy with clowns and
    pantaloons--to an unqualified admiration of harlequins and
    columbines--to a chaste delight in every action of their brief
    existence, varied and many-coloured as those actions are, and
    inconsistent though they occasionally be with those rigid and
    formal rules of propriety which regulate the proceedings of meaner
    and less comprehensive minds. We revel in pantomimes--not because
    they dazzle one's eyes with tinsel and gold leaf; not because they
    present to us, once again, the well-beloved chalked faces, and
    goggle eyes of our childhood; not even because, like Christmas-day,
    and Twelfth-night, and Shrove-Tuesday, and one's own birthday, they
    come to us but once a year;--our attachment is founded on a graver
    and a very different reason. A pantomime is to us, a mirror of
    life; nay, more, we maintain that it is so to audiences generally,
    although they are not aware of it, and that this very circumstance
    is the secret cause of their amusement and delight.

    Let us take a slight example. The scene is a street: an elderly
    gentleman, with a large face and strongly marked features, appears.
    His countenance beams with a sunny smile, and a perpetual dimple is
    on his broad, red cheek. He is evidently an opulent elderly
    gentleman, comfortable in circumstances, and well-to-do in the
    world. He is not unmindful of the adornment of his person, for he
    is richly, not to say gaudily, dressed; and that he indulges to a
    reasonable extent in the pleasures of the table may be inferred
    from the joyous and oily manner in which he rubs his stomach, by
    way of informing the audience that he is going home to dinner. In
    the fulness of his heart, in the fancied security of wealth, in the
    possession and enjoyment of all the good things of life, the
    elderly gentleman suddenly loses his footing, and stumbles. How
    the audience roar! He is set upon by a noisy and officious crowd,
    who buffet and cuff him unmercifully. They scream with delight!
    Every time the elderly gentleman struggles to get up, his
    relentless persecutors knock him down again. The spectators are
    convulsed with merriment! And when at last the elderly gentleman
    does get up, and staggers away, despoiled of hat, wig, and

    clothing, himself battered to pieces, and his watch and money gone,
    they are exhausted with laughter, and express their merriment and
    admiration in rounds of applause.

    Is this like life? Change the scene to any real street;--to the
    Stock Exchange, or the City banker's; the merchant's counting-
    house, or even the tradesman's shop. See any one of these men
    fall,--the more suddenly, and the nearer the zenith of his pride
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