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    Ch. 8 - By Verona, Mantua, and Milan - Page 2

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    woman--drying her arms upon her 'kerchief, called 'La tomba di
    Giulietta la sfortunata.' With the best disposition in the world
    to believe, I could do no more than believe that the bright-eyed
    woman believed; so I gave her that much credit, and her customary
    fee in ready money. It was a pleasure, rather than a
    disappointment, that Juliet's resting-place was forgotten. However
    consolatory it may have been to Yorick's Ghost, to hear the feet
    upon the pavement overhead, and, twenty times a day, the repetition
    of his name, it is better for Juliet to lie out of the track of
    tourists, and to have no visitors but such as come to graves in
    spring-rain, and sweet air, and sunshine.

    Pleasant Verona! With its beautiful old palaces, and charming
    country in the distance, seen from terrace walks, and stately,
    balustraded galleries. With its Roman gates, still spanning the
    fair street, and casting, on the sunlight of to-day, the shade of
    fifteen hundred years ago. With its marble-fitted churches, lofty
    towers, rich architecture, and quaint old quiet thoroughfares,
    where shouts of Montagues and Capulets once resounded,

    And made Verona's ancient citizens
    Cast by their grave, beseeming ornaments,
    To wield old partizans.

    With its fast-rushing river, picturesque old bridge, great castle,
    waving cypresses, and prospect so delightful, and so cheerful!
    Pleasant Verona!

    In the midst of it, in the Piazza di Bra--a spirit of old time
    among the familiar realities of the passing hour--is the great
    Roman Amphitheatre. So well preserved, and carefully maintained,
    that every row of seats is there, unbroken. Over certain of the
    arches, the old Roman numerals may yet be seen; and there are
    corridors, and staircases, and subterranean passages for beasts,
    and winding ways, above ground and below, as when the fierce
    thousands hurried in and out, intent upon the bloody shows of the
    arena. Nestling in some of the shadows and hollow places of the
    walls, now, are smiths with their forges, and a few small dealers
    of one kind or other; and there are green weeds, and leaves, and
    grass, upon the parapet. But little else is greatly changed.

    When I had traversed all about it, with great interest, and had
    gone up to the topmost round of seats, and turning from the lovely

    panorama closed in by the distant Alps, looked down into the
    building, it seemed to lie before me like the inside of a
    prodigious hat of plaited straw, with an enormously broad brim and
    a shallow crown; the plaits being represented by the four-and-forty
    rows of seats. The comparison is a homely and fantastic one, in
    sober remembrance and on paper, but it was irresistibly suggested
    at the moment, nevertheless.

    An equestrian troop had
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