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Chapter 10
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The carriage which had stopped before the gate was that which brought Roland back to his family, accompanied by Sir John.
The family was so far from expecting him that, as we have said, all the lights in the house were extinguished, all the windows in darkness, even Amélie's. The postilion had cracked his whip smartly for the last five hundred yards, but the noise was insufficient to rouse these country people from their first sleep. When the carriage had stopped, Roland opened the door, sprang out without touching the steps, and tugged at the bell-handle. Five minutes elapsed, and, after each peal, Roland turned to the carriage, saying: "Don't be impatient, Sir John."
At last a window opened and a childish but firm voice cried out: "Who is ringing that way?"
"Ah, is that you, little Edouard?" said Roland. "Make haste and let us in."
The child leaped back with a shout of delight and disappeared. But at the same time his voice was heard in the corridors, crying: "Mother! wake up; it is Roland! Sister! wake up; it is the big brother!"
Then, clad only in his night robe and his little slippers, he ran down the steps, crying: "Don't be impatient, Roland; here I am."
An instant later the key grated in the lock, and the bolts slipped back in their sockets. A white figure appeared in the portico, and flew rather than ran to the gate, which an instant later turned on its hinges and swung open. The child sprang upon Roland's neck and hung there.
"Ah, brother! Brother!" he exclaimed, embracing the young man, laughing and crying at the same time. "Ah, big brother Roland! How happy mother will be; and Amélie, too! Every body is well. I am the sickest--ah! except Michel, the gardener, you know, who has sprained his leg. But why aren't you in uniform? Oh! how ugly you are in citizen's clothes! Have you just come from Egypt? Did you bring me the silver-mounted pistols and the beautiful curved sword? No? Then you are not nice, and I won't kiss you any more. Oh, no, no! Don't be afraid! I love you just the same!"
And the boy smothered the big brother with kisses while he showered questions upon him. The Englishman, still seated in the carriage, looked smilingly through the window at the scene.
In the midst of these fraternal embraces came the voice of a woman; the voice of the mother.
"Where is he, my Roland, my darling son?" asked Madame de Montrevel, in a voice fraught with such violent, joyous emotion that it was almost painful. "Where is he? Can it be true that he has returned; really true that he is not a prisoner, not dead? Is he really living?"
The child, at her voice, slipped from his brother's arms like an eel, dropped upon his feet on the grass, and, as if moved by a spring, bounded toward
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