Chapter 19
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The Storming of the Castle in the Air
The sun had gone down full four hours, and it was later than most
travellers would like it to be for finding themselves outside the
walls of Rome, when Mr Dorrit's carriage, still on its last
wearisome stage, rattled over the solitary Campagna. The savage
herdsmen and the fierce-looking peasants who had chequered the way
while the light lasted, had all gone down with the sun, and left
the wilderness blank. At some turns of the road, a pale flare on
the horizon, like an exhalation from the ruin-sown land, showed
that the city was yet far off; but this poor relief was rare and
short-lived. The carriage dipped down again into a hollow of the
black dry sea, and for a long time there was nothing visible save
its petrified swell and the gloomy sky.
Mr Dorrit, though he had his castle-building to engage his mind,
could not be quite easy in that desolate place. He was far more
curious, in every swerve of the carriage, and every cry of the
postilions, than he had been since he quitted London. The valet on
the box evidently quaked. The Courier in the rumble was not
altogether comfortable in his mind. As often as Mr Dorrit let down
the glass and looked back at him (which was very often), he saw him
smoking John Chivery out, it is true, but still generally standing
up the while and looking about him, like a man who had his
suspicions, and kept upon his guard. Then would Mr Dorrit, pulling
up the glass again, reflect that those postilions were cut-throat
looking fellows, and that he would have done better to have slept
at Civita Vecchia, and have started betimes in the morning. But,
for all this, he worked at his castle in the intervals.
And now, fragments of ruinous enclosure, yawning window-gap and
crazy wall, deserted houses, leaking wells, broken water-tanks,
spectral cypress-trees, patches of tangled vine, and the changing
of the track to a long, irregular, disordered lane where everything
was crumbling away, from the unsightly buildings to the jolting
road--now, these objects showed that they were nearing Rome. And
now, a sudden twist and stoppage of the carriage inspired Mr Dorrit
with the mistrust that the brigand moment was come for twisting him
into a ditch and robbing him; until, letting down the glass again
and looking out, he perceived himself assailed by nothing worse
than a funeral procession, which came mechanically chaunting by,
with an indistinct show of dirty vestments, lurid torches, swinging
censers, and a great cross borne before a priest. He was an ugly
priest by torchlight; of a lowering aspect, with an overhanging
brow; and as his eyes met those of Mr Dorrit, looking bareheaded
out of the carriage, his lips,
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