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    Preface

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    (_underscores_ denote italics)

    A preface generally begins with a truism; and I may set out with the
    admission that it is not always expedient to bring to light the
    posthumous work of great writers. A man generally contrives to publish,
    during his lifetime, quite as much as the public has time or
    inclination to read; and his surviving friends are apt to show more
    zeal than discretion in dragging forth from his closed desk such
    undeveloped offspring of his mind as he himself had left to silence.
    Literature has never been redundant with authors who sincerely
    undervalue their own productions; and the sagacious critics who
    maintain that what of his own an author condemns must be doubly
    damnable, are, to say the least of it, as often likely to be right as
    wrong.

    Beyond these general remarks, however, it does not seem necessary to
    adopt an apologetic attitude. There is nothing in the present volume
    which any one possessed of brains and cultivation will not be thankful
    to read. The appreciation of Nathaniel Hawthorne's writings is more
    intelligent and wide-spread than it used to be; and the later
    development of our national literature has not, perhaps, so entirely
    exhausted our resources of admiration as to leave no welcome for even
    the less elaborate work of a contemporary of Dickens and Thackeray. As
    regards "Doctor Grimshawe's Secret,"--the title which, for lack of a
    better, has been given to this Romance,--it can scarcely be pronounced
    deficient in either elaboration or profundity. Had Mr. Hawthorne
    written out the story in every part to its full dimensions, it could
    not have failed to rank among the greatest of his productions. He had
    looked forward to it as to the crowning achievement of his literary
    career. In the Preface to "Our Old Home" he alludes to it as a work
    into which he proposed to convey more of various modes of truth than he
    could have grasped by a direct effort. But circumstances prevented him
    from perfecting the design which had been before his mind for seven
    years, and upon the shaping of which he bestowed more thought and labor
    than upon anything else he had undertaken. The successive and
    consecutive series of notes or studies [Footnote: These studies,

    extracts from which will be published in one of our magazines, are
    hereafter to be added, in their complete form, to the Appendix of this
    volume.] which he wrote for this Romance would of themselves make a
    small volume, and one of autobiographical as well as literary interest.
    There is no other instance, that I happen to have met with, in which a
    writer's thought reflects itself upon paper so immediately and
    sensitively as in these studies. To read them is to look into the man's
    mind, and see its quality and
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