Richard Wagner - Page 2

Schudenfeldt. Hope, good-cheer and a devotion to art were the distinguishing features of Mein Herr Geyer.

All this was in the city of Leipzig; but Herr Geyer becoming a member of the Court Theater, the family moved to Dresden, where at this time lived one Weber, a composer, who used to walk by the Geyer home and occasionally stop in for a little rest. At such times one of the children would be sent out with a pitcher, and the great composer and Herr Geyer would in fancy roam the realm of art, and Herr Geyer would impart to Herr Weber valuable ideas that had never been used. The little boy, Richard, used to cherish these visits of Weber, and would sit and watch for hours for the coming of the queer old man in the long gray cloak.

The stork, one fine day, brought Richard a little sister. He was scarce two years older than she. These two sort of grew up together, and were ever the special pets of Herr Geyer, who used to take them to the theater and seat them on a bench in the wings where they could watch him lead the assault in "The Pirate's Revenge."

Richard regarded his stepfather with all the affection that ever a child had for its own parent; and until he was twenty-one was known to the world as Richard Wilhelm Geyer.

The comparison of Ludwig Geyer with Triplett is hardly fair, for Geyer's fine effervescence and hopeful, rainbow-chasing qualities were confined to early life.

As the years passed Geyer settled down to earnest work and achieved a considerable success both as an actor and as a painter. The unselfish quality of the man is shown in that his income was freely used to educate the Wagner children. He was sure that Richard had the germ of literary ability in his mental make-up, and his ambition was that the boy should become a writer. But alas! Geyer did not live long enough to know the true greatness of this child he had fostered and befriended.

Unlike so many musicians Richard was not precocious. He was slow, thoughtful and philosophic; and music did not attract him so much as letters. Incidentally he took lessons in music with his other studies, and his first teacher, Gottlieb Muller, has left on record the statement that the boy was "self-willed and eccentric, and not fluid enough in spirit to succeed in music."

The mother of Wagner seems to have been a woman of marked mentality--not especially musical or poetic, but possessing a fine appreciation of all good things, and best of all, she had commonsense. She very early came to regard Richard as her most promising child, and before he was ten years of age, said to a friend, "Richard will be able to succeed at anything he concentrates his mind upon."

The truth of the remark has often been reiterated. The youth was superb in his mental equipment--strong, capable, independent. Had he turned his attention to any other profession, or any branch of art or science, he could have probed