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Ch. 11: Starlings and Sheep Bells - Page 2
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sounds of pure and beautiful quality, like the blackbird's "oboe-voice,"
to quote Davidson's apt phrase: he emits this song in a strangely
subdued tone, producing the effect of a blackbird heard singing at a
considerable distance. And so with innumerable other notes, calls, and
songs--they are often to their originals what a man's voice heard on a
telephone is to his natural voice. He succeeds best, as a rule, in
imitations of the coarser, metallic sounds, and as his medley abounds in
a variety of little, measured, tinkling, and clinking notes, as of
tappings on a metal plate, it has struck me at times that these are
probably borrowed from the sheep-bells of which the bird hears so much
in his feeding-grounds. It is, however, not necessary to suppose that
every starling gets these sounds directly from the bells; the birds
undoubtedly mimic one another, as is the case with mocking-birds, and
the young might easily acquire this part of their song language from the
old birds without visiting the flocks in the pastures.
The sheep-bell, in its half-muffled strokes, as of a small hammer
tapping on an iron or copper plate, is, one would imagine, a sound well
within the starling's range, easily imitated, therefore specially
attractive to him.
But--to pass to another subject--what does the shepherd himself think or
feel about it; and why does he have bells on his sheep?
He thinks a great deal of his bells. He pipes not like the shepherd of
fable or of the pastoral poets, nor plays upon any musical instrument,
and seldom sings, or even whistles--that sorry substitute for song; he
loves music nevertheless, and gets it in his sheep-bells; and he likes
it in quantity. "How many bells have you got on your sheep--it sounds as
if you had a great many?" I asked of a shepherd the other day, feeding
his flock near Old Sarum, and he replied, "Just forty, and I wish there
were eighty." Twenty-five or thirty is a more usual number, but only
because of their cost, for the shepherd has very little money for bells
or anything else. Another told me that he had "only thirty," but he
intended getting more. The sound cheers him; it is not exactly
monotonous, owing to the bells being of various sizes and also greatly
varying in thickness, so that they produce different tones, from the
sharp tinkle-tinkle of the smallest to the sonorous klonk-klonk of the
big, copper bell. Then, too, they are differently agitated, some quietly
when the sheep are grazing with heads down, others rapidly as the animal
walks or trots on; and there are little bursts or peals when a sheep
shakes its head, all together producing a kind of rude harmony--a
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