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    Ch. 11: Starlings and Sheep Bells - Page 2

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    the mocking-bird. His common starling pipe cannot produce
    sounds of pure and beautiful quality, like the blackbird's "oboe-voice,"
    to quote Davidson's apt phrase: he emits this song in a strangely
    subdued tone, producing the effect of a blackbird heard singing at a
    considerable distance. And so with innumerable other notes, calls, and
    songs--they are often to their originals what a man's voice heard on a
    telephone is to his natural voice. He succeeds best, as a rule, in
    imitations of the coarser, metallic sounds, and as his medley abounds in
    a variety of little, measured, tinkling, and clinking notes, as of
    tappings on a metal plate, it has struck me at times that these are
    probably borrowed from the sheep-bells of which the bird hears so much
    in his feeding-grounds. It is, however, not necessary to suppose that
    every starling gets these sounds directly from the bells; the birds
    undoubtedly mimic one another, as is the case with mocking-birds, and
    the young might easily acquire this part of their song language from the
    old birds without visiting the flocks in the pastures.

    The sheep-bell, in its half-muffled strokes, as of a small hammer
    tapping on an iron or copper plate, is, one would imagine, a sound well
    within the starling's range, easily imitated, therefore specially
    attractive to him.

    But--to pass to another subject--what does the shepherd himself think or
    feel about it; and why does he have bells on his sheep?

    He thinks a great deal of his bells. He pipes not like the shepherd of
    fable or of the pastoral poets, nor plays upon any musical instrument,
    and seldom sings, or even whistles--that sorry substitute for song; he
    loves music nevertheless, and gets it in his sheep-bells; and he likes
    it in quantity. "How many bells have you got on your sheep--it sounds as
    if you had a great many?" I asked of a shepherd the other day, feeding
    his flock near Old Sarum, and he replied, "Just forty, and I wish there
    were eighty." Twenty-five or thirty is a more usual number, but only
    because of their cost, for the shepherd has very little money for bells
    or anything else. Another told me that he had "only thirty," but he

    intended getting more. The sound cheers him; it is not exactly
    monotonous, owing to the bells being of various sizes and also greatly
    varying in thickness, so that they produce different tones, from the
    sharp tinkle-tinkle of the smallest to the sonorous klonk-klonk of the
    big, copper bell. Then, too, they are differently agitated, some quietly
    when the sheep are grazing with heads down, others rapidly as the animal
    walks or trots on; and there are little bursts or peals when a sheep
    shakes its head, all together producing a kind of rude harmony--a
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