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Ch. 23: Horse and Man - Page 2
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The gaucho is more or less bow-legged; and, of course, the more crooked
his legs are, the better for him in his struggle for existence. Off his
horse his motions are awkward, like those of certain tardigrade mammals
of arboreal habits when removed from their tree. He waddles in his walk;
his hands feel for the reins; his toes turn inwards like a duck's. And
here, perhaps, we can see why foreign travellers, judging him from their
own standpoint, invariably bring against him the charge of laziness. On
horseback he is of all men most active. His patient endurance under
privations that would drive other men to despair, his laborious days and
feats of horsemanship, the long journeys he performs without rest or
food, seem to simple dwellers on the surface of the earth almost like
miracles. Deprive him of his horse, and he can do nothing but sit on
the ground cross-legged, or _en cuclillas_,--on his heels. You have, to
use his own figurative language, cut off his feet.
Darwin in his earlier years appears not to have possessed the power of
reading men with that miraculous intelligence always distinguishing his
researches concerning other and lower orders of beings. In the _Voyage
of a Naturalist,_ speaking of this supposed indolence of the gauchos, he
tells that in one place where workmen were in great request, seeing a
poor gaucho sitting in a listless attitude, he asked him why he did not
work. The man's answer was that _he was too poor to work!_ The
philosopher was astonished and amused at the reply, but failed to
understand it. And yet, to one acquainted with these lovers of brief
phrases, what more intelligible answer could have been returned? The
poor fellow simply meant to say that his horses had been stolen--a thing
of frequent occurrence in that country, or, perhaps, that some minion of
the Government of the moment had seized them for the use of the State.
To return to the starting point, the pleasures of riding do not flow
exclusively from the agreeable sensations attendant on flight-like
motion; there is also the knowledge, sweet in itself, that not a mere
cunningly fashioned machine, like that fabled horse of brass "on which
the Tartar king did ride," sustains us; but a something with life and
thought, like ourselves, that feels what we feel, understands us, and
keenly participates in our pleasures. Take, for example, the horse on
which some quiet old country gentleman is accustomed to travel; how
soberly and evenly he jogs along, picking his way over the ground. But
let him fall into the hands of a lively youngster, and how soon he picks
up a frisky spirit! Were horses less plastic, more the creatures of
custom than they are, it
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