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    Chapter 23

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    1849.

    THE JARDIN D'HIVER.

    FEBRUARY, 1849.

    In February, 1849, in the midst of the prevailing sorrow
    and terror, fetes were given. People danced to help the
    poor. While the cannon with which the rioters were
    threatened on January 29, were, so to speak, still trained
    ready for firing, a charity ball attracted all Paris to the
    Jardin d'Hiver.

    This is what the Jardin d'Hiver was like:

    A poet had pictured it in a word: "They have put summer
    under a glass case!" It was an immense iron cage
    with two naves forming a cross, as large as four or five
    cathedrals and covered with glass. Entrance to it was
    through a gallery of wood decorated with carpets and
    tapestry.

    On entering, the eyes were at first dazzled by a flood of
    light. In the light all sorts of magnificent flowers, and
    strange trees with the foliage and altitudes of the tropics,
    could be seen. Banana trees, palm trees, cedars, great leaves,
    enormous thorns, and queer branches twisted and mingled
    as in a virgin forest. The forest alone was virgin there,
    however. The prettiest women and the most beautiful
    girls of Paris whirled in this illumination ~a giorno~ like a
    swarm of bees in a ray of sunshine.

    Above this gaily dressed throng was an immense resplendent
    chandelier of brass, or rather a great tree of gold
    and flame turned upside down which seemed to have its
    roots in the glass roof, and whose sparkling leaves hung
    over the crowd. A vast ring of candelabra, torch-holders
    and girandoles shone round the chandelier, like the
    constellations round the sun. A resounding orchestra perched
    high in a gallery made the glass panes rattle harmoniously.

    But what made the Jardin d'Hiver unique was that
    beyond this vestibule of light and music and noise, through
    which one gazed as through a vague and dazzling veil, a
    sort of immense and tenebrous arch, a grotto of shadow
    and mystery, could be discerned. This grotto in which
    were big trees, a copse threaded with paths and clearings,
    and a fountain that showered its water-diamonds in sparkling
    spray, was simply the end of the garden. Red dots
    that resembled oranges of fire shone here and there amid

    the foliage. It was all like a dream. The lanterns in the
    copse, when one approached them, became great luminous
    tulips mingled with real camellias and roses.

    One seated one's self on a garden seat with one's feet in
    the grass and moss, and one felt the warmth arising from a
    heat-grating beneath this grass and this moss; one happened
    upon an immense fireplace in which half the trunk
    of a tree was burning, in proximity to a clump of bushes
    shivering in the rain of a fountain. There were lamps
    amid the flowers and
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