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Chapter 28 - Page 2
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"In all my wand'rings round this world of care, In all my griefs--and God has giv'n my share-- I still had hopes my latest hours to crown, Amid these humble bowers to lay me down; To husband out life's taper at the close, And keep the flame from wasting by repose; I still had hopes, for pride attends us still, Amid the swains to show my book-learn'd skill, Around my fire an ev'ning group to draw, And tell of all I felt and all I saw; And as a hare, whom hounds and horns pursue, Pants to the place from whence at first she flew; I still had hopes, my long vexations past, Here to return--and die at home at last."
How touchingly expressive are the succeeding lines, wrung from a heart which all the trials and temptations and buffetings of the world could not render worldly; which, amid a thousand follies and errors of the head, still retained its childlike innocence; and which, doomed to struggle on to the last amid the din and turmoil of the metropolis, had ever been cheating itself with a dream of rural quiet and seclusion:
"Oh, bless'd retirement! friend to life's decline, Retreats from care, that never must be mine, How blest is he who crowns, in shades like these, A youth of labor with an age of ease; Who quits a world where strong temptations try, And, since 'tis hard to combat, learns to fly! For him no wretches, born to work and weep, Explore the mine, or tempt the dangerous deep; Nor surly porter stands, in guilty state, To spurn imploring famine from the gate; But on he moves to meet his latter end, Angels around befriending virtue's friend; Sinks to the grave with unperceived decay, While resignation gently slopes the way; And all his prospects brightening to the last, His heaven commences ere the world be past."
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Note:
The following article, which appeared in a London periodical, shows the effect of Goldsmith's poem in renovating the fortunes of Lissoy.
"About three miles from Ballymahon, a very central town in the sister kingdom, is the mansion and village of Auburn, so called by their present possessor, Captain Hogan. Through the taste and improvement of this gentleman, it is now a beautiful spot, although fifteen years since it presented a very bare and unpoetical aspect. This, however, was owing to a cause which serves strongly to corroborate the assertion that Goldsmith had this scene in view when he wrote his poem of The Deserted Village. The then possessor, General Napier, turned all his tenants out of their farms that he might inclose them in his own private
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